Heinrich Schütz

Motette aus Psalmen Davids für 2 Chöre (vokal und instrumental) und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Chor 1: Gemischter Chor-SATBB, Trompete/ Violine 1, Posaune 1/ Violine 2, Posaune 2...

Psalm 111 aus Psalmen Davids für 2 Favoritchöre, 2 Capellchöre (vokal oder instrumental) und Basso continuo. Urtext der Neuen Schütz-Ausgabe. FavCh-SATB+SATB (2), CapCh-SMezAB+SMezAB (2), Basso contin...

The use of vibrato and 3rd position are essential in this piece. This piece was inspired by a choral work, using text from the Book of Psalms.

The use of vibrato and 3rd position are essential in this piece. This piece was inspired by a choral work, using text from the Book of Psalms.

Instrumental movements from larger works and transcriptions of choral works for trombone choirs. Arrangement and interpretation notes by the editor. Brass - playing score

Ode Joyeuse for Brass Quartet began its life as 'Give God, the Father, Praise,' one of many sacred vocal solos composed by Heinrich Schutz. At a length of 2'30', this bright arrangement would make an...

Die vorliegende Notenausgabe der beiden Motetten beinhaltet keine eigentlichen Bearbeitungen, da an der Substanz und Anlage der Kompositionen nichts geändert wurde. Lediglich die Lage wurde um einen G...

Heinrich Schütz did not compose any independent instrumental works during his life; he never commented on his motives. Perhaps he was so intensely occupied with the musical interpretation of the bibli...

Heinrich SchÜtz is one of the greats, and revered scholar Peter Aston provides the information to do his music right. Providing the text in both the original German and English, Dr. Aston also include...

Überwiegend vierstimmge, einige fünf-, sechs- und achtstimmige Sätze; teilweise mit Basso continuo. Gemischter Chor-SATB - Singpartitur

Das deutsche Nunc dimittis 'Herr, nun lässest du deinen Diener' hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen. D...

In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...

No. 13 of the 'Opus ultimum'

At the age of eighty-six Heinrich Schütz composed his last work in 1671 with his monumental setting of Psalm 119, complemented in an appendix with a setting of Psalm 100, and a setting of a German Mag...

B,4Pos,Bc

Heinrich Schütz' Musik umfasst fast ausschließlich Vokalwerke, weshalb InstrumentalistInnen kaum die Gelegenheit haben, diese Musik praktizierend kennenzulernen. Mit dieser Ausgabe schafft C. René Hir...

Experience a radiant masterpiece of Baroque vocal music: Heinrich Schütz's "Historia der Geburt Jesu Christi" (SWV 435) is widely regarded as one of the most expressive and festive Christmas works in...

Instruments: 5 Trombones or 5 Sackbuts - Difficuly Level: Grade 4 - Duration: 2 mn 10 s - Musical Style: Classical, Baroque - Category: Arrangement - Composer: Heinrich SCHUTZ - Arranger: Olivier LACH...

Instruments: 5 Trombones or 5 Sackbuts - Difficuly Level: Grade 4 - Duration: 2 mn 10 s - Musical Style: Classical, Baroque - Category: Arrangement - Composer: Heinrich SCHUTZ - Arranger: Olivier LACH...

Schutz composed The Christmas Story towards the end of a long and full life. It was probably first performed on Christmas Day 1660. Scored for soprano, tenor, and bass soloists, choir and orchestra....