Johanna Senfter

In these two volumes, American organist Gregory Hand presents the complete works for solo organ by the Oppenheim-based composer Johanna Senfter. Volume I focuses on the independent works and fugues, w...

In dem umfangreiche Oeuvre der Oppenheimer Komponistin Johanna Senfter finden sich lediglich zwei geistliche Solo-Lieder. Beide wohl 1917 komponierten Lieder stehen unter dem Eindruck der Katastrophe...

Johanna Senfter (1879-1961) gehört zu den interessantesten Komponistinnen der Spätromantik. Sie studierte 1895 - 1903 am Frankfurter Hochschen Konservatorium Klavier und Komposition, anschliessend 190...

These Six Waltzes (1902) for piano, four hands by Johanna Senfter are published here for the first time: this will represent another small step towards the long overdue rediscovery of music from the b...

The composer Johanna Senfter (1879-1961) studied with Max Reger in Leipzig from 1908 to 1910 and on graduation won the Arthur Nikisch award. She valued Reger greatly and a life-long friendship ensued....

Johanna Senfter’s Duo, completed in 1956, is the last and at the same time most compact of her five compositions for viola and piano. The impressive work is in a classical A-B-A form. Two mostly calm,...

In 1932 Johanna Senfter wrote Sechs Stücke for the church holidays for viola and organ. She arranged five of them for viola and piano as well. They are remarkable, atmospheric and colourful character...

The Sonata F minor for viola and piano op. 41, completed in May 1922, still breathes the spirit of the grand master Reger and yet already goes its own way in terms of rhythm, harmony, modulation and f...

The second Sonata F major for viola and piano op. 101 was composed in 1943 and is a fascinating testimony to its time. It stands in the tradition of the great classical sonata literature and yet is ch...

Of the five works that Johanna Senfter wrote for viola and piano, the Variations op. 94, completed at the beginning of the 1940s, are certainly her most sophisticated composition in terms of harmony a...

The Trio in G major / E minor op. 103 by the Oppenheim composer and pupil of Max Regers can be assigned to the composer's late work on the basis of the opus number, even if no year of composition and...

The Sonata for clarinet, viola, horn and piano, op. 37 was composed in 1920 (at the latest). The violist Michael Balling, a friend of Johanna Senfter, wrote to the composer about the work, which he ha...

In the two volumes, the American organist Gregory Hand dedicates himself to the entire oeuvre for solo organ of the Oppenheim composer Johanna Senfter. In Volume I, the focus is on the independent wor...

With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-mo...

The composer and violinist Johanna Senfter from Oppenheim wrote concert works, such as chamber music works for violin, her whole life. Being a pupil of Reger, who held her in high esteem, she composed...

The composer and violinist Johanna Senfter (1879 1961) from Oppenheim concerned herself with piano-accompanied chamber music for strings all her life. Max Reger valued her 'extraordinary compositional...

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fü...

In her music, the composer Johanna Senfter, student of Max Reger in Leipzig, devoted herself entirely to the late Romanticism. While her music had been regarded as old-fashioned for a long time, the p...

On 11 August 2011 it is fifty years since the death of the composer Johanna Senfter from Oppenheim who actually was a trained violinist for she had studied with renowned violinists at the Hoch Conserv...

Johanna Senfter (1879-1961) was a pupil of Max Reger.Beginning with an expressive violin theme in a densely packed, 'Brahms-like' piano setting, the classical four-movement work centres around two cap...

Johann Senfter (1879 -1961) wrote three sonatas for Viola solo; modelled on the Solo Sonatas of Max Reger, who was Senfter's teacher of composition in 1908/09 in Leipzig.

With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-mo...

With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-mo...