Johanna Senfter

Johanna Senfter erhielt mit 29 Jahren, 1908, Theorie- und Kompositionsunterricht bei Max Reger. Obwohl sie noch relativ unbekannt ist, wird sie immer mehr entdeckt, denn ihre Stücke eignen sich wegen...

With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-mo...

The composer and violinist Johanna Senfter from Oppenheim wrote concert works, such as chamber music works for violin, her whole life. Being a pupil of Reger, who held her in high esteem, she composed...

The composer and violinist Johanna Senfter (1879 1961) from Oppenheim concerned herself with piano-accompanied chamber music for strings all her life. Max Reger valued her 'extraordinary compositional...

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fü...

The biography of the reserved and withdrawn composer Johanna Senfter is not characterized by any outstanding events or incidents. Born in Oppenheim on the Rhine on 27 November 1879, the composer chose...

In her music, the composer Johanna Senfter, student of Max Reger in Leipzig, devoted herself entirely to the late Romanticism. While her music had been regarded as old-fashioned for a long time, the p...

On 11 August 2011 it is fifty years since the death of the composer Johanna Senfter from Oppenheim who actually was a trained violinist for she had studied with renowned violinists at the Hoch Conserv...

Johanna Senfter (1879-1961) was a pupil of Max Reger.Beginning with an expressive violin theme in a densely packed, 'Brahms-like' piano setting, the classical four-movement work centres around two cap...

Johann Senfter (1879 -1961) wrote three sonatas for Viola solo; modelled on the Solo Sonatas of Max Reger, who was Senfter's teacher of composition in 1908/09 in Leipzig.

This character piece is still firmly rooted in the Romantic tradition of descriptive musical imagery. An early work, its formal structure is characterised by onglike thematic phrases, softly flowing m...

The number of well-known clarinet quintets is quite small. The only major composers whose clarinet quintets are relatively widespread are Mozart, Brahms, Weber and Reger.The composer Johanna Senfter (...

Johanna Senfter studied music at the Conservatoire in Frankfurt and then in 1908/9 with Max Reger at the Leipzig Conservatoire. Her late Romantic music draws inspiration from the polyphonic structure...

Johanna Senfter studied music at the Conservatoire in Frankfurt and then in 1908/9 with Max Reger at the Leipzig Conservatoire. Her late Romantic music draws inspiration from the polyphonic structure...

The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leip...

The large-scale motet Die Nacht ist vorgerücken for mixed, 4- to 8-part choir a capella, composed by Johanna Senfter, appears here for the first time in print. Although the motet is outwardly in the t...

The large-scale motet Die Nacht ist vorgerückt for mixed choir with 4 to 8 parts a capella composed by Johanna Senfter, appears here in print for the first time. Although the motet follows the traditi...

The 9 Lieder op. 15, of the composer Johanna Senfter from Oppenheim, were probably composed around 1913, as this is also when the Passacaglia for two pianos op. 14 was written. The vocal miniatures ma...

The 9 Lieder op. 15, of the composer Johanna Senfter from Oppenheim, were probably composed around 1913, as this is also when the Passacaglia for two pianos op. 14 was written. The vocal miniatures ma...

The Lieder op. 53 originally included two more songs which have not been transmitted. Due to the problems of transmission, it is hardly possible to date the work, but the more individual musical langu...

The Lieder op. 53 originally included two more songs which have not been transmitted. Due to the problems of transmission, it is hardly possible to date the work, but the more individual musical langu...

The motet For Who Knows What Is Useful to Man in Life op. 18/2 by the composer Johanna Senfter appears here for the first time in print. After an introduction characterized by expressive chromaticism,...