Johannes Brahms

Brahms famously described this piece as "certainly not difficult to play", and while easier than some of his other very challenging works, it is still a quality performance piece. The SONATA NO 1 is w...

Spielpartitur(en) (2)

2 Spielpartituren

Nach dem Konzert für Violine, Violoncello und Orchester

The edition is part of the ABRSM syllabus (grade 8)

This piece exhibits Brahms' great lyric gift as well as his characteristically flexible treatment of rhythm and harmony. Scored for 3 C flutes, alto & bass, this arrangement places much emphasis on th...

Arrangement commissioned by Nancy L. Spidel for the 2005 NFA High School Flute Choir. Originally for 4-part chorus & orchestra, this arrangement achieves a full orchestral texture, while bringing out...

Hungarian Dance N° 11 for flute choir, score 4 p. and parts. To get an idea of how this transcription sounds, you can listen to the audio sample. The Hungarian Dances are a series of 21 dances lacking...

Hungarian Dance N° 11 for flute quartet, score 3 p. and parts. To get an idea of how this transcription sounds, you can listen to the audio sample. The Hungarian Dances are a series of 21 dances lacki...

Arranged after the sonata for clarinet and piano op. 120/1.

As the originals were arranged for female voices, the canons by Johannes Brahms are - except for a few necessary transpositions - well suited for a transcription, all the more so since there are few r...

So sangen die Parzen, die Schicksalsgöttinnen der griechisch-römischen Mythologie: Von Fluch und Schicksal handelt das Parzenlied in Goethes Versdrama "Iphigenie auf Tauris", das zur Vorlage für Johan...

Klavierauszug vom Komponisten

Klavierauszug (zugleich Partitur)

Gemischter Chor (SATB) und Klavier 4-händig (dt./engl.). Klavierauszug (zugleich Partitur)