Jonathan Del Mar
Artaria had already published Beethoven's variations on a Mozart aria under the highly symbolic opus number 1 in 1793. However, the composer was not satisfied with this work and ensured that the opus...
Artaria had already published Beethoven's variations on a Mozart aria under the highly symbolic opus number 1 in 1793. However, the composer was not satisfied with this work and ensured that the opus...
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With his Septet for clarinet, bassoon, horn, violin, viola, cello and double bass, Beethoven created a key work of chamber music for larger ensembles. He composed the six-movement septet at the same t...
With his Septet for clarinet, bassoon, horn, violin, viola, cello and double bass, Beethoven created a key work of chamber music for larger ensembles. He composed the six-movement septet at the same t...
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Klav-solo/V-solo/Vc-solo/Fl/2Ob/2Klar/2Fag/2Hn/2 Trp-Cl/Pk/2V/Va/Vc/KB
Klav-solo/V-solo/Vc-solo/Fl/2Ob/2Klar/2Fag/2Hn/2 Trp-Cl/Pk/2V/Va/Vc/KB
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> First ever publication of this arrangement > Includes a separate solo part as was customary in Beethoven's day > Provides new possibilities for soloists to perform this work This anonymous sextet ar...
> First ever publication of this arrangement > Includes a separate solo part as was customary in Beethoven's day > Provides new possibilities for soloists to perform this work This anonymous sextet ar...
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Beethoven had promised his Horn Sonata op. 17 to one of the most famous horn players of his time, Johann Wenzel. Although, according to an anecdote from his pupil, he only composed the sonata on the d...
Beethoven had promised his Horn Sonata op. 17 to one of the most famous horn players of his time, Johann Wenzel. Although, according to an anecdote from his pupil, he only composed the sonata on the d...
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After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
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After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
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After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
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After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
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Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...
Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...
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Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...
Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...
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Dvorák's 7th Symphony was commissioned by the Royal Philharmonic Society in August 1883 and premiered in London on April 22, 1885 under the direction of the composer. The following June, Dvorák shorte...
Dvorák's 7th Symphony was commissioned by the Royal Philharmonic Society in August 1883 and premiered in London on April 22, 1885 under the direction of the composer. The following June, Dvorák shorte...
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This separately published Critical Report offers comprehensive information on the genesis, transmission, sources and readings of the works edited in this volume.
This separately published Critical Report offers comprehensive information on the genesis, transmission, sources and readings of the works edited in this volume.
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This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.
This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.
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Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
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Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
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Orchestra - Critical report
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (3), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (3), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (3), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (3), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Flute (2), Oboe (2), Clarinet in bb (2), Bassoon (2), Horn (3), Trumpet (2), Timpani, Strings - Score; Urtext edition
Flute (2), Oboe (2), Clarinet in bb (2), Bassoon (2), Horn (3), Trumpet (2), Timpani, Strings - Score; Urtext edition
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Flöte, Oboe (2), KLar (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
Flöte, Oboe (2), KLar (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher - Kritischer Bericht
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Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kontrafagott, Horn (2), Trompete (2), Posaune (3), Pauke, Streicher - Kritischer Bericht
Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Kontrafagott, Horn (2), Trompete (2), Posaune (3), Pauke, Streicher - Kritischer Bericht
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