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Jos van de Braak

Wolfgang Amadeus Mozart
aus der Oper Die Zauberflöte

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

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Wolfgang Amadeus Mozart
aus der Oper Die Zauberflöte

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

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Wolfgang Amadeus Mozart
aus der Oper Die Zauberflöte

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

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Wolfgang Amadeus Mozart
from the opera Don Giovanni

The duet La ci darem la mano (Give me the hand) from Mozart's opera Don Giovanni is sung in the first act when Don Giovanni asks the peasant daughter Zerlina to marry hem. (Soprano, Baritone and Conce...

The duet La ci darem la mano (Give me the hand) from Mozart's opera Don Giovanni is sung in the first act when Don Giovanni asks the peasant daughter Zerlina to marry hem. (Soprano, Baritone and Conce...

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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...

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Franz Lehár
from The Operetta Die Lustige Witwe

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...

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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

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The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

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Giuseppe Verdi
Brindisi From The Opera La Traviata

Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

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Giuseppe Verdi
Brindisi from the opera La Traviata

Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

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Zoltán Kodály

Despite its title Kodaly's Dances of Galanta is not so much a dance-suite as a symphonic poem.The dances in this piece are derived from the 18th-century Verbunkos, a characteristic Hungarian dance of...

Despite its title Kodaly's Dances of Galanta is not so much a dance-suite as a symphonic poem.The dances in this piece are derived from the 18th-century Verbunkos, a characteristic Hungarian dance of...

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Zoltán Kodály

Despite its title Kodaly's Dances of Galanta is not so much a dance-suite as a symphonic poem.The dances in this piece are derived from the 18th-century Verbunkos, a characteristic Hungarian dance of...

Despite its title Kodaly's Dances of Galanta is not so much a dance-suite as a symphonic poem.The dances in this piece are derived from the 18th-century Verbunkos, a characteristic Hungarian dance of...

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Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

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Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

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Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

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Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...

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Aram Khatschaturian
Suite From The Drama

The music to the drama Masquerade consists of 14 pieces, mostly dances. Using five out of these 14 numbers Aram Khachaturian composed an orchestral suite and in this transcription for symphonic band t...

The music to the drama Masquerade consists of 14 pieces, mostly dances. Using five out of these 14 numbers Aram Khachaturian composed an orchestral suite and in this transcription for symphonic band t...

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Wolfgang Amadeus Mozart

The Coronation Mass of March 1779 is said to have been composed for the coronation of an image of the Virgin in the church of Maria Plain near Salzburg, though there is no evidence to support this. In...

The Coronation Mass of March 1779 is said to have been composed for the coronation of an image of the Virgin in the church of Maria Plain near Salzburg, though there is no evidence to support this. In...

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Wolfgang Amadeus Mozart

The Coronation Mass of March 1779 is said to have been composed for the coronation of an image of the Virgin in the church of Maria Plain near Salzburg, though there is no evidence to support this. In...

The Coronation Mass of March 1779 is said to have been composed for the coronation of an image of the Virgin in the church of Maria Plain near Salzburg, though there is no evidence to support this. In...

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Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

Joseph Joseph Haydn's (1732-1809) last solo concerto was composed to help with an experiment: in an effort to break through the Trumpet's limitations Anton Weidinger - a Trumpeter of the Vienna Court...

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