Maurice Ravel

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...

A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...

A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...

A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...

A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...

A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...

Click here for the original version of Mussorgsky's Pictures at an Exhibition. Ravel's ingenious compositional interpretation is still the best-known and most independent orchestration of Pictures at...

Ravel's ingenious compositional interpretation remains to this day the best-known and most independent orchestration of Pictures at an Exhibition. When the French composer turned to Mussorgsky's piano...

Click here for the original version of Mussorgsky's Pictures at an Exhibition. Ravel's ingenious compositional interpretation is still the best-known and most independent orchestration of Pictures at...

Click here for the original version of Mussorgsky's Pictures at an Exhibition. Ravel's ingenious compositional interpretation is still the best-known and most independent orchestration of Pictures at...

Click here for the original version of Mussorgsky's Pictures at an Exhibition. Ravel's ingenious compositional interpretation is still the best-known and most independent orchestration of Pictures at...

Ravel's multi-layered Hommage in the 'Breitkopf Urtext' In his Hommage Le Tombeau de Couperin, Ravel turns less to Couperin himself than to French music of the 18th century. On the other hand, editor...

Ravel's multi-layered homage in the 'Breitkopf Urtext' In his homage Le Tombeau de Couperin, Ravel turns less to Couperin himself than to French music of the 18th century. On the other hand, editor Je...

Ravel's multi-layered homage in the 'Breitkopf Urtext' In his homage Le Tombeau de Couperin, Ravel turns less to Couperin himself than to French music of the 18th century. On the other hand, editor Je...