Pascal Denécheau

The ballet "Les Fêtes d'Hébé" deals with those talents that are usually thematized at the Opéra and placed on stage in the service of love: poetry and declamation (1st entrée, "La Poésie"), the art of...

The opera Naïs, which premiered at the Académie royale in the Palais-Royal in Paris on April 22, 1749 to celebrate the signing of the so-called 'Peace of Aachen' and was revived in August 1764, shortl...

> Baroque opera in honour of the conciliation of Europe on the occasion of the Treaty of Aachen > First practical performing edition with a keyboard reduction > Based on the complete edition Opera Omn...

> Baroque opera in honour of the conciliation of Europe on the occasion of the Treaty of Aachen > First practical performing edition with a keyboard reduction > Based on the complete edition Opera Omn...

> Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites > Based on the first scholarly-critical edit...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

Les Fêtes d'Hébé or "Les Talents Lyriques" (1739) belong to the highly opulent ballet opera genre, which was only common in 18th century courtly France. Rameau's "Indes Galantes" (1735) is often consi...

Les Fêtes d'Hébé or "Les Talents Lyriques" (1739) belong to the highly opulent genre of ballet opera, which was only common in 18th century courtly France. Rameau's "Indes Galantes" (1735) is often re...