Reinhold Kubik

Antonín Dvořák's Stabat Mater, Op. 58 is among the most moving and profound masterpieces of Romantic sacred music. With incomparable emotional depth and melodic beauty, the work sets the sorrow of the...

The performance material is derived from the scholarly-critical editions of the 'Das Erbe deutscher Musik'' series, on which the informative Preface and Critical Report were based. The new piano-vocal...

Die Missa Dei Patris ZWV 19 entstand 1740 und gehört damit zum Spätwerk des böhmischen Komponisten Jan Dismas Zelenka. Sie eröffnet einen unvollendet überlieferten Zyklus von sechs Messen, die der Kom...

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the compose...

The work is based on poems written by the composer and was completed in 1880. It consisted of three movements which bore the following titles: Waldmärchen (A Tale from the Woods), Der Spielmann (The M...

In his preface to the new critical edition of the 'Seventh Symphony', Dr. Reinhold Kubik (editor and vice-president of the International Gustav Mahler Society) reflects on the reception of Mahler and...

Experience one of the most powerful and captivating masterpieces in music history in supreme editorial perfection: Symphony No. 5, presented here in the definitive Critical New Edition (2002). Publish...

Experience one of the most gripping and monumental masterpieces of late Romanticism: Gustav Mahler's Symphony No. 6 in A minor, which celebrated its memorable premiere on May 27, 1906, in Essen. Score...

New edition based on original sources by Reinhold Kubik

'Titan', the early five-movement version of the 'Symphony No. 1', has never been published before. Universal Edition is proud to make this score available for the first time in connection with the Com...

Das Klagende Lied is based on poems written by the composer and was completed in 1880. It originally consisted of three movements which bore the following titles: Waldmärchen (A Tale from the Woods),...

Für Soli: Sopran, Alt, Tenor, Bariton, Knabensopran, Knabenalt, Chor SATB, großes Orchester und Fernorchester.

Titan, the early five-movement version of the Symphony No. 1, has never been published before. Universal Edition is proud to make this score available for the first time in connection with the Complet...

Für Soli: Sopran, Alt, Tenor, Bass, Chor SATB und Orchester Text der Gesamtausgabe herausgegeben von Reinhold Kubik

Hallische Händel-Ausgabe. Serie II, Band 29 Sopran solo, Alt solo, Mezzosopran solo (3), Bass solo (2), Flöte, Oboe (2), Fagott, Horn (2), Violine (2), Viola, Bassi (Cello, Kontrabass, Fagott, Erzlaut...

Bach's cantata "Ach Gott, wie manches Herzeleid" BWV 58 for the Sunday after New Year, entitled "Dialogus", is accordingly limited entirely to the dialog pair of soprano and bass; no other soloists or...

The cantata Wie schön leuchtet der Morgenstern BWV 1 has become somewhat famous: With it, Bach's ambitious project of a choral cantata year came to an abrupt end on March 25, 1725 after around nine mo...

Bach composed "Ach Gott, vom Himmel sieh darein" BWV 2 for the 2nd Sunday after Trinity in 1724 as the second cantata of the choral cantata year. It is based on Martin Luther's rewriting of the 12th P...

Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...