Yvonne Morgan

Bernhard Romberg's op.38 is a stroke of luck for all cellists. The never-ending singing of the soloist experiences a virtuoso climax in the 3rd Trio: At its finest.

The quintets are indisputably among the most important pieces of this genre. Every string player might wonder why their rediscovery has been so long in coming. Now they are available for a good price!...

The quintets are indisputably among the most important pieces of this genre. Every string player might wonder why their rediscovery has been so long in coming. Now they are available cheaply! The revi...

The quintets are indisputably among the most important pieces of this genre. Every string player might wonder why their rediscovery has taken so long. Now they are available for a good price!

The forms of the linear Inventiones are heightened to the monumental via cadential overtones in the double fugue, whose head theme captures the author's name 'A-es-c-h-b-a-c-h-e-(t)r.'.

Contemporaries praised Schwindl's excellently composed violin works, which were intended for effect. They are not difficult, although their 'spirit tends towards sweet melancholy', and are therefore a...

Rolla's only concertante 3 Duos for Violin and Cello appeared in rapid succession in Italy, France and Germany, which speaks for their high quality. Concert literature!

The double concerto captivates with a fine, lyrical balance between the solo parts and the string ensemble assisted by the harpsichord. Even for amateur orchestras musically-technically achievable!

Frist Edition

The double concerto captivates with a fine, lyrical balance between the solo parts and the string ensemble assisted by the harpsichord. Even for amateur orchestras musically-technically achievable!

From Rosenmüller's collection of sonatas for two to five voices from 1682, which are characterized by a bold experimentation with form and harmony. Executable in the 1st position.

The Sonata is part of the 10 Sonatas collection for 2 to 5 string instruments, is conceived in several movements, and surprises with bold experimentation with form and harmony.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.