Yvonne Morgan

The technical and harmonic brilliance with which Rosetti, a master of wind partitas, was able to endow his creations is impressive.

Vivaldi's A minor Double Concerto is one of the showpieces in schools today, enabling young soloists to try out and perform concertante interplay.

Highly praised by Handel, Stanley's work reflects the tonal language as well as the performance practice attitude of the creator of the 'Messiah' as in the valid form type of the concerto grosso.

Rosetti's quintet in E-flat major, composed around 1780, is presented here in an extremely distinctive arrangement from 1789, possibly by the famous horn virtuoso Giovanni Punto.

The combination of an obbligato keyboard instrument with 'two' basses is of great compositional charm; all that remains is admiration for Telemann's joy in instrumental experimentation!

Danzi's melody-laden Op. 10 captivates with its 'balanced' instrumental interplay: comfortable to perform; especially rewarding for the violas.

Written in 1952, this tonal work is captivating for the esprit of its 'programmatic' movements: Aubade, Capriccio, Cortège triste and Sérénade.

Frist Edition

In Telemann's famous 'Essercizii Musici', the trios with obbligato harpsichord as the second melodic part occupy a special position: they stand (almost) alone in the literature of this genre.

Composed in 1972, the quintet is aimed at all house musicians who enjoy playing in mixed ensembles, thanks to its modest technical demands, especially the very light violin part.

The technically easy to master work (2nd violin and viola executable in the 1st position) is a choral version of the Quintet op.74 for violin, clarinet, bassoon, cello and piano (BP 1276).

A wreath of little-known Christmas carols, easy to perform and can also be scored with wind instruments; the viola part can also be performed by a violin (separate part).

The sonata is part of the collection of two- to five-part sonatas from 1682. Experimental in form and harmony. Largely executable in the 1st position.

Songs 'Das große Licht' by Simon Dach and 'Trost der Nacht' by Grimmelshausen set to music in the late Romantic style of 1941. Of particular charm: the darkly colored clarinet part.

In the 1933 nonet (Praeludium, Aria and Fugue), in which late Romantic echoes are clearly audible, the strings can also be chorally scored.

First Edition.

The work, carried by romantic pathos, reflects the motto 'I know love only from the torment it causes'. carried by the splendor of dreamy melodies.

As the most important French composer of his generation, Fr.-A. Danican left behind works that left a lasting mark on the valid art form of opéra-comique.

The six quadros with their French esprit captivate with bold, rapid changes of theme and abundant ornamentation.... At its finest.

The six quartets form the only instrumental cycle that the brilliant French baroque master left us. The rediscovery could not be dispensed with.

Enjoy the work, which is enriched with fine French esprit and captivates with bold, rapid changes of themes and abundant ornamentation.

The chess world champion Philidor also proves himself in his 6 only instrumental quadros: the genius congenially overcomes the baroque compositional scheme.

It gives us and the discoverers of Philidor pleasure to have completely snatched the convolute from oblivion with the 6th quartet. Rewarding and easy.