Yvonne Morgan

As in his numerous violin duets, the European violinist of distinction was able to capture the burgeoning romanticism in these duets in the tradition of the Italian Rococo.

Quantz's first solo sonatas from his Dresden years are indebted to the 'mixed taste' cultivated by the teacher Pisendel, Italian included.

The popular opera arias, stylistically modeled on the national melodic songs of their time, and 'doted' on the flute in both rapturous and brilliant paraphrases, are among the most exquisite of their...

Edited after the sonatas for violin and piano K. 376 (374d), 296, 377 (374e). The lack of flute sonatas from the master's hand already during his lifetime led to the fact that especially his violin so...

Edited after the sonatas for violin and piano K. 378 (317d), 379 (373a) and 380 (374f). The lack of flute sonatas from the master's hand already led during his lifetime to the fact that especially his...

With its rich ornamentation, passagework interspersed with chromatic steps, and fanned-out chordal playing, Hummel achieves attractive and 'equal' playing moods even in the concertante sonata.

Schubert's virtuoso solo work needs no recommendation. The variations are indispensable repertoire! Perhaps attention may be drawn here to the meaning-giving painting of our edition.

The two sonatas are among the most beautiful 'songs' from the famous 'Viennese School' entrusted to the flute; warmly recommended in the didactic field.

Edited from the First Edition.

The sonatas still clearly reveal the type of sonata da chiesa developed by Corelli, but their virtuoso style already points to the era of the dawning pre-classical period.

With the three sonatas, all 6 trii of opus 2 are now available on Amadeus: F major (AD-BP2034); D minor (AD-BP2035); C minor (AD-BP2036).

Edited from the first edition. Juon's compositions are late romantic in style, strongly reminiscent of Brahms, which is why he has been called the 'Russian Brahms'. His Viola Sonata in d minor is beco...

Our 'Grand Trio' op. 24 follows the first print of the parts, and we have added a score; it is a splendid example of Tulou's elegant and well-balanced part-writing. It will surely be a most welcome ad...

After the First Printing Published.

After the First Printing Published.

One of Barsanti's major works, it reveals a commanding mastery of counterpoint and unusual bold harmonic constructions with chromatic passages.

The Partita captivates with original ideas and fine nuances of tone color. The predominantly divertimento-like features of the work are oriented toward the symphonic style cultivated in Vienna at the...