Yvonne Morgan

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

These pearls of upscale table music, reflecting French, Italian and German urmusikantische dance culture from the style of the time, are again available complete in 3 booklets.

These pearls of upscale table music, reflecting French, Italian and German urmusikantische dance culture from the style of the time, are again available complete in 3 booklets.

These pearls of upscale table music, reflecting French, Italian and German urmusikantische dance culture from the style of the time, are again available complete in 3 booklets.

Caldara's chamber music follows in the wake of Corelli's sonata works and already shows an inner stylistic affinity with Handel's trios in the formation of themes. Particularly noteworthy is the solem...

The E major Adagio has long asserted itself as a 'heartfelt mood piece' which, performed with noble pathos on solemn occasions, is capable of releasing feelings in players and listeners alike.

The three Duetti op. 20 reflect the highly developed taste of Viennese audiences around 1800. They are varied, exciting and colourful, technically balanced and of intermediate difficulty. This also ma...

Vivaldi's A minor Double Concerto is one of the showpieces in schools today, enabling young soloists to try out and perform concertante interplay.

For an introduction to the narrow repertoire of unaccompanied violin solos from the Baroque period, Telemann's 12 fantasies from 1735 can hardly be dispensed with.

The suite-like arrangement of op.6, with its free treatment of symmetry in dialogues, leads via a round of dances into a 252-bar chaconne of intoxicating sonic splendor.

Edited after the first printing.

How intensively Hoffmeister dealt with the tonal and 'progressing' technical possibilities of the viola is shown by his famous 12 etudes, edited here in the original text, which are counted as 'compul...

The given instrumentation can be varied. Thus the flute part in this congenial quadro can also be comfortably performed on an alto recorder, since it does not fall below f'.

He (Janitsch) was a good contrapuntalist and his quartets are the best samples of this kind. So righteous, so undisguised and sincere, so joyful his operation in music' (Joh. Wilhelm Hertel, 1784).

Her compositions are not lacking in formal skill and melodic invention, which is turned towards the tender and sensual.'. The pieces are intended for concert use.

Edited from the autograph.