Chor Klassik Noten Neuheiten

You've never heard Mozart like this before! "Eine Kleine Nachtmusik" is performed on neutral syllables with plenty of kazoo moments interspersed throughout. Get ready to switch back and forth between...

This elevated partner song pairs two colorful melodies the third time around and includes an echo format refrain. Don't be fooled by the beginning part-singing techniques, Andy's eloquent lyrics will...

A pensive, chorale-style opening (supported by minimal accompaniment) sets a tone of reverence for this gentle song of peace. After the piano part blossoms, a variety of choral textures and harmonic h...

Using English text and the title phrase (which means "every thing" in Spanish), this breathtaking work tells us to have our "hearts wide open to receive" the unfolding of life. Legato choral phrases f...

Davonfliegen is based on two songs from the bilingual "Deutsch-Jüdisches Liederbuch" from 1912, which was published by Abraham Zwi Idelsohn, an important music researcher and composer, and financed by...

Die Ausgabe Zur Opéra-comique 'Carmen' entstanden insgesamt zehn Fassungen, von Georges Bizets erster Niederschrift 1874 bis zum Erstdruck der Partitur 1877. Im Zuge jahrelanger Grundlagenforschung er...

This five-minute carol for SATB and piano (or organ) was written for the charity Three Peas, which supports refugees stranded on Greek islands. It is based on the Syriac Maronite nativity hymn Šūbho L...

Fresh and playful, this original by Kara Stacy Bedwell is crafted with singers' wants and needs in mind, offering both fun and accessibility. Ideal for fall or spring concerts.

I Choose Joy reminds is that while there are plenty of things in this world we can't control, we can choose joy! Kim Noller captures joyful expression with clear voice-leading, giving ensembles a rewa...

Designed with the idea that the best things in life are free, Kim Noller reminds us of the importance of love, sunshine, friendship and many other free elements. An uplifting choice for fall or spring...

Fresh and playful, this original by Greg Gilpin uses many collquialisms like, "Let's Not Dilly Dally" and is the perfect novelty song for any fall or spring concert.

John Florio’s "One Family" reminds singers that every individual makes a difference when we come together as one. With approachable unison writing and a message of unity, it’s a touching addition to s...

With text by Karen Crane and music by John Florio, "Listen" invites singers to hear the music of the natural world and join in its song. Written for unison or optional two-part voices, this thoughtful...

TTBB unaccompanied. Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring. My heart be brave is an ideal choice for choirs looking to address issues of social justic...

for TTBB unaccompanied. This profoundly beautiful setting by John Rutter of one of the earliest English prayers, from the Sarum Primer of 1514, has been specially adapted by the composer for tenors an...

Elegy of a Man in Missouri unfolds with a mysterious character, carried by rich TTBB sonorities and an a cappella stillness that lingers. Its subtle dissonances and long, sighing lines create a sense...

Written by Ethan Sperry, Dust sets Coty Raven Morris’s powerful poem with rich, resonant harmony and striking emotional weight. Scored for advanced TTBB choir with accessible percussion, the piece exp...

Introduce your tenors and basses to gentle and warm singing that creates musical emotion without an overly sentimental text, all while fitting perfectly in the vocal range. The piano accompaniment is...

Inspired by a poem from Walter de la Mare's Peacock Pie: A Book of Rhymes, this expressive setting captures the poet's sense of mystery and magic in everyday things. Designed for developing tenor-bass...

for TTBB and piano. This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of Rutter's cycle When Icicles Hang. Here, it has been specially adapted for TTB...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

This arrangement of Love That Will Not Let Me Go was conceived as an opportunity for tenor–bass singers to explore lyrical phrasing and expressive lines within a comfortable vocal range. Set in a trad...

In Flanders Fields by Dan Davison is a powerful tenor–bass setting of the iconic World War I poem. A beautifully haunting piano accompaniment supports long, sustained vocal lines that encourage tone d...

Rainbow by Ayrian Norman celebrates the hope that shines after the storm. A vibrant, flowing piano part drives the energy forward beneath a distinctive melody that moves through contrasting moods: ref...