Johann Sebastian Bach
Man singet mit Freuden vom Sieg
Kantate BWV 149 zum Michaelistag
Johann Sebastian Bach
Man singet mit Freuden vom Sieg
Kantate BWV 149 zum Michaelistag
- Instrumentation Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Composer Johann Sebastian Bach
- Editor Ingrid Jach
- Edition Piano Reduction
- Publisher Carus-Verlag
- Order no. CV31149-03
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Description:
- Language: German
- Pages: 32
- Release: 03.04.2005
- Term: 22:00
- Weight: 106 g
- Opus: BWV49
- Genre: Sacred & Church Music, Canon
- Accompaniment: Piano
- ISMN: 9790007074562
Soli SATB, Coro SATB, 3 Ob, Fg, 3 Tr, Timp, 2 Vl, Va, Bc
Sprache: deutsch/englisch
Bei der Komposition der Kantate BWV 149 griff Bach auf Teile eines älteren Werkes zurück: Der Eingangschor ist eine Parodie der Jagdkantate BWV 208. Neben kleineren, textbedingten Änderungen verwendete Trompeten anstelle von Hörnern. Hierzu transponierte er den Satz von F- nach C-Dur. Die drei Arien sind musikalisch und in der Instrumentierung sehr abwechslungsreich gestaltet. Kennzeichen der Bass-Arie (2. Satz) ist eine bewegte Continuo-Begleitung. Nach dem anschliessenden Secco-Rezitativ entfaltet sich eine ausgedehnte und tänzerische Sopran-Arie mit Streicherbegleitung. Die dritte Arie Satz 6) besticht neben bewegter Melodik und Kanonbildung in den Singstimmen besonders durch den Einsatz des Fagotts als instrumentaler Gegenpart zum Duett zwischen Alt und Tenor.
Sprache: deutsch/englisch
Bei der Komposition der Kantate BWV 149 griff Bach auf Teile eines älteren Werkes zurück: Der Eingangschor ist eine Parodie der Jagdkantate BWV 208. Neben kleineren, textbedingten Änderungen verwendete Trompeten anstelle von Hörnern. Hierzu transponierte er den Satz von F- nach C-Dur. Die drei Arien sind musikalisch und in der Instrumentierung sehr abwechslungsreich gestaltet. Kennzeichen der Bass-Arie (2. Satz) ist eine bewegte Continuo-Begleitung. Nach dem anschliessenden Secco-Rezitativ entfaltet sich eine ausgedehnte und tänzerische Sopran-Arie mit Streicherbegleitung. Die dritte Arie Satz 6) besticht neben bewegter Melodik und Kanonbildung in den Singstimmen besonders durch den Einsatz des Fagotts als instrumentaler Gegenpart zum Duett zwischen Alt und Tenor.
Tags:
Hymns for Mixed Choir
Sacred Music Sheet Music
Mixed Choir with Piano
Piano Excerpts
Johann Sebastian Bach Sheet Music for Mixed Choir
Carus piano reductions
Choir Vocals
Canons for Choir Vocals
Carus Choir Sheet Music
Piano, Vocal & Guitar Sheet Music
Sheet Music for Mixed Choir (SATB)
Sheet Music for Mixed Choir (SATB) and Piano
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Manufacturer Information:
Carus-Verlag GmbH & Co. KG
Sielminger Str. 51
70771
Leinfelden-Echterdingen
Deutschland
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