Offertorium. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor (2)-SATB+SATB, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
Offertorium. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor (2)-SATB+SATB, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
- 2 Mixed Choirs (SATB), 3 Trombones, Strings and Organ
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The Offertorium de venerabili sacramento "Venite populi" à 2 Chori K. 260/248a, whose autograph score Mozart inscribed Salzburg 1767, clearly shows the composer's desire for in-depth contrapuntal work...
The Offertorium de venerabili sacramento "Venite populi" à 2 Chori K. 260/248a, whose autograph score Mozart inscribed Salzburg 1767, clearly shows the composer's desire for in-depth contrapuntal work...
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Urtext der Neuen Mozart-Ausgabe - Nur noch als Spielpartitur erhaeltlich - statt der Orgelstimme kann opt. ein Cello eingesetzt werden
Urtext der Neuen Mozart-Ausgabe - Nur noch als Spielpartitur erhaeltlich - statt der Orgelstimme kann opt. ein Cello eingesetzt werden
- Mixed Choir (SATB), 2 Violins, Viola, Double Bass and Organ
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Instrumentale Spielpartitur
- Mixed Choir (SATB), 2 Violins, Viola, Double Bass and Organ
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- Mixed Choir (SATB), 2 Violins, Viola, Double Bass and Organ
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Wolfgang Amadeus Mozart's world-famous motet "Ave verum corpus" K. 618 is one of the most touching and consummate masterpieces of sacred choral music. Characterized by simple, deeply moving beauty, th...
Wolfgang Amadeus Mozart's world-famous motet "Ave verum corpus" K. 618 is one of the most touching and consummate masterpieces of sacred choral music. Characterized by simple, deeply moving beauty, th...
- Mixed Choir (SATB), 2 Violins, Viola, Double Bass and Organ
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Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Fagott, Horn (2), Streicher, Basso continuo - Partitur; Urtextausgabe
Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Fagott, Horn (2), Streicher, Basso continuo - Partitur; Urtextausgabe
- Soloists, Mixed Choir (SATB), 2 Oboes, Bassoon, 2 Horns, Strings and Continuo
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Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Streicher, Basso continuo - Partitur
Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Streicher, Basso continuo - Partitur
- Soloists, Mixed Choir (SATB), 2 Flutes, Strings and Continuo
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Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Streicher, Basso continuo - Partitur; Urtextausgabe
Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Streicher, Basso continuo - Partitur; Urtextausgabe
- Soloists, Mixed Choir (SATB), 2 Oboes, Strings and Continuo
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Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Streicher, Basso continuo - Partitur; Urtextausgabe
Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Streicher, Basso continuo - Partitur; Urtextausgabe
- Soloists, Mixed Choir (SATB), 2 Oboes, Strings and Continuo
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Erstfassung. Urtext der Neuen Bach-Ausgabe. Sopran solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, Trompete (3), Oboe (2), Blockflöte (2), Pauke, Violine (2), Viola, Basso continuo -...
Erstfassung. Urtext der Neuen Bach-Ausgabe. Sopran solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, Trompete (3), Oboe (2), Blockflöte (2), Pauke, Violine (2), Viola, Basso continuo -...
- Soloists, Mixed Choir (SATB), 3 Trumpets, 2 Oboes, 2 Recorders, Timpani, 2 Violins, Viola and Continuo
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Mozart's famous and popular "Laudate Dominum" from his "Vesperae solennes de Confessore" KV 339 is now also available as a single movement with performance material and piano reduction. The arioso set...
Mozart's famous and popular "Laudate Dominum" from his "Vesperae solennes de Confessore" KV 339 is now also available as a single movement with performance material and piano reduction. The arioso set...
- High Voice, Mixed Choir (SATB), Bassoon, Strings and Organ
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2 Kompositionen zur Vesper. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
2 Kompositionen zur Vesper. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
- Mixed Choir (SATB), 2 Trumpets, 3 Trombones, Timpani, Strings and Organ
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- Mixed Choir (SATB), 2 Trumpets, 3 Trombones, Timpani, Strings and Organ
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Baroque tradition remained alive in the music of Salzburg Cathedral until the first decades of the 19th century. This included the addition of three trombones, which are led with alto, tenor and basso...
Baroque tradition remained alive in the music of Salzburg Cathedral until the first decades of the 19th century. This included the addition of three trombones, which are led with alto, tenor and basso...
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Motette für Chor und Instrumente. Der Partitur liegen die Instrumentalstimmen bei. Gemischter Chor-SSATB, Streicher, Basso continuo - Partitur; Stimmensatz
Motette für Chor und Instrumente. Der Partitur liegen die Instrumentalstimmen bei. Gemischter Chor-SSATB, Streicher, Basso continuo - Partitur; Stimmensatz
- Mixed Choir (SATB), Strings and Continuo
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Dietrich Buxtehude's Magnificat is a sonorous movement that achieves a remarkable effect with musically simple means. A piece without any particular difficulties that can claim a place in the repertoi...
Dietrich Buxtehude's Magnificat is a sonorous movement that achieves a remarkable effect with musically simple means. A piece without any particular difficulties that can claim a place in the repertoi...
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Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
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Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
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Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
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Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
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