Sheet Music for Mixed Ensemble

This piece is intended to recreate a particular experience of the 2017 solar eclipse musically. Before the eclipse, there is the quiet excitement of the upcoming event. Things feel a little unusual, t...

Anže Rozman's I Give This Music to You (To glasbo podarjam tebi) for Violin, Cello, and Piano. I Give This Music to You by Anze Rozman is a single-movement work for violin, cello and piano, composed f...

Inner Me by Anze Rozman is a single-movement work for flute, violin and piano, composed for Trio Essenziale from Ljublana, Slovenia. It begins with the statement of eight chords in the piano, followed...

Leroy Osmon presents Three Poems for Children for mezzo-soprano and wind quartet (flute, bass clarinet, horn, and bassoon). Osmon's blend of wind Americana (Sousa, Copeland, and Foster) is paired with...

Leroy Osmon presents Kemah: In the Face of the Wind for winds and percussion. Osmon's blend of wind Americana (Sousa, Copeland, and Foster) is paired with the sounds of Mexican bands and the harmonic...

Leroy Osmon's Octet is an unusual example of the genre. Four woodwinds, two trombonists, and two percussionists allow Osmon unusual timbres and an unexpected mix of musical ideas - brassy strikes agai...

This newly-engraved reconstruction of the Grand Quartet in D minor, Op. 103 by Friedrich Kuhlau, arranged for Flute, Violin, Viola and Cello by Paul Hippolyte Camus includes a full score and all four...

Leroy Osmon presents Y cuando me haya ido for Soprano, Flute, Bass Clarinet, Horn, and Cello. Written by the composer in memory of a dear friend and fellow musician.

Leroy Osmon presents Acquainted with the Night for Contralto, Cello and Harp (or Piano), with text by Robert Frost.

Leroy Osmon presents Fantasies for Winds and Percussion. The Fantasies for Winds and Percussion was composed in 1973 and received its first performance in the Spring of 1974 at the Texas UIL Solo & En...

Selections from James Oswald's Airs for the Four Seasons, arranged for Two Flutes (or Violins) and Cello by Jan Boland. Scottish composer James Oswald (1711-1769) was known for writing fluently in bot...

The stylistic bandwidth of the Divertimento is vast. The first movement (Sonata) alone presents Casterede as an expert melodist, harmonist, neo-Classicist, and even towards the end an equally gifted a...

Leroy Osmon presents Five Poems by Aracely Loeza Frias for Soprano, Flute, Bass Clarinet, Horn, and Cello. The movements are: En el silencio de mi voz, Algunas, Hay noches, Hoy me vi, and Ámame hoy.

Cat and Mouse for Flute, Clarinet, and Piano by Greg Lutz: Scurrying hither and yon, Madeline the Mouse starts her day at top speed. Claude the Cat, on the other paw, lounges and ambles his way throug...

Die gute Nacht, die ich dir sage by Clara Schumann, arranged for bassoon and string quartet by Shannon Lowe. Clara Wieck Schumann was one of the most prominent musical figures of the early Romantic Er...

to sing, sweetly, forever was premiered on October 10, 2021, in Collierville, Tennessee as part of the Sanctuary on the Square Concert Series, and performed by Sabrina Laney Warren (soprano), Cathy Co...

La Vendetta by Barbara Strozzi, arranged for bassoon and string quartet by Shannon Lowe. La Vendetta, an arietta originally for voice, two violins and continuo, features text likely by Barbara Strozzi...

Laudamus Te from 'Gloria' by Antonio Vivaldi, arranged for Flute (or Alto Flute), Clarinet (Bb or A), and Piano, by Jeffrey Beyer. A unique arrangement that is particularly suitable for performances a...

Pandemic Suite by Australian composer Fran Griffin was composed as an exploration of the progressive states of mind during the lockdowns associated with the Covid-19 pandemic. In three movements: Mela...

Leroy Osmon presents Field of Light for six flutes and five percussionists. Instrumentation: 6 Flutes, Percussion 1 (Bells, Xylophone), Percussion 2 (Vibraphone, optional Bells), Percussion 3 (Xylopho...

A Jagged Path for Wind Quintet and Piano by Garth Baxter. A rhythmically driving piece, based on two themes from Baxter’s opera Lily. The beginning and ending sections are based on the orchestral part...