Harp, Zither & Cimbalom Sheet Music

This composition on exotic modes is an invitation to a journey to an imaginary place. - Max MEREAUX - A piece that can be played from 7 years of Harp practice - Instruments: 1 Solo Harp - Difficuly Le...

A tender and nostalgic theme, a daydream in the moonlight... - Pascal PROUST - A piece to be played from 4 years of practice. - Instruments: 1 Solo Harp - Difficuly Level: Grade 3 - Duration: 3 mn 00...

Two minutes of meditation at the water's edge for young harpists... - Pascal PROUST - A piece to be played from 2 years of practice. - Instruments: 1 Solo Harp - Difficuly Level: Grade 2 - Duration:...

An examination or audition piece for very young harpists, inspired by the calm of the edges of ponds.

A little melodic and dreamy piece... for young harpists from 2 years of practice.

Das Werk mit einer Dauer von knapp 6 Minuten wurde von Florian Coutet in Auftrag gegeben, um es seiner Frau Manon Louis, Soloharfenistin beim Nationalorchester Lothringen, als Geburtstagsgeschenk zu s...

Dorothea Hofmann composed five works for organ and other instruments. They are inspired by paintings by Lucas Cranach. All works were premiered by Marius Popp under the common title „Wunderkamme “ in...

Ein Zyklus von 7 Stücken nach Sir Roy Strong's Buch: 'Creating Small Gardens', geschrieben für Annie Gicquel, die das Werk auch uraufgeführt hat (Nürnberger Tage für Neue Musik. Uraufführung 1988). Ho...

In diesen drei kurzen Stücken wird je ein harmonisches bzw. strukturelles Prinzip in komprimierter Form behandelt: Zwölfton; Bitonal; Ganzton. Schwer bis sehr schwer.

I have always loved the harp. My first TV score, written in 1963 when I was twenty, contained an extensive harp part, and I have recorded with many wonderful harpists, including Marie Goossens, Jean B...

The subject of these musings, 'Hine e Hine', is a simple but tender lullaby written in New Zealand by Fanny Rose Howie, 1868-1916. Renaming herself Princess Te Rangi Pai after her Maori mother, she en...

Three musical postcards from the city of love, culture and expensive shops. 1. Moonlight in Montmartre: Montmartre, a village within a city - artists, singers of chanson, cafes and the bells of Sacre...

This piece was originally designed to be the equivalent of the Interlude in Britten's Ceremony of Carols in a similar type work which was later abandoned, leaving it artistically stranded. So it now s...

Scintillate the tintinnabulator' my maths master used to say when it was time to ring the school bell, adding his own take to Edgar Alan Poe's beautiful word 'tintinnabulations', devised to describe t...

These pieces are evocations of 16th and 17th century dance forms by a composer long fascinated by the period. The melodies are new and no genuine anticke (old English for antique) tunes are used. MONS...

Two pieces with the flavour of New York for harp solo - Streets and Avenues; A Walk in the Park. Edited for harp by Danielle Perrett, these are two of the 'Three Little Bites at the Big Apple', a set...

A collection of pieces evocative of an age of wandering minstrels, kings and castles, by a composer with a lifelong fascination for all things mediaeval. Having composed many works for pedal harp, Pau...

A collection of pieces from the contemplative to the downright silly, with a choice of local takeaway for added sustenance! Paul Lewis was inspired to write these pieces when his wife, Sharon Elizabet...

Two short pieces for harp with a gentle jazz inflection. 'Sunday Morning Meander:' One Sunday morning Fiona Hosford, my wife's harp teacher, emailed her a chord she'd discovered and taken a liking to....

Two rhapsodic and improvisatory pieces composed in 1997 for harpist Elizabeth Jane Baldry and revised for publication in 2018. The second makes use of two three-note motifs representing the initials o...

A photo of harpist Maia Darme, smiling beneath her umbrella in the Paris rain, inspired this Parisian-style waltz. 'S'il pleut a Paris, n'importe pas, c'est la pluie parisienne!' If it rains in Paris,...

Cradle Song & Music Box Polka' were commissioned by Graham and Jenny Pay as a gift for their daughter, harpist Camilla Pay, upon the birth of her second daughter, Claudia Poppy Knight, on November 17t...

The 'Trois Preludes' were composed in March 2006 to thank the dedicatees, guitarist Erik Marchelie and harpist Anne Mispelter, for their passionate performances of my music at the 'Journee avec le com...

In December 2018, browsing in an antique shop, I discovered a hand-coloured photographic print, dated 1900, of a loosely attired maiden with long wavy pre-Raphaelite hair bearing roses and gazing lang...

Unusually for a work of mine, the 'Sonatina' is neither pictorial nor programmatic, but is simply about the music itself and the instrument it is written for; it is in fact an attempt to contribute a...