Ludwig van Beethoven
33 Changes over a Waltz op. 120
for piano - 'Diabelli Variations'
Ludwig van Beethoven
33 Changes over a Waltz op. 120
for piano - 'Diabelli Variations'
- Instrumentation Piano
- Composer Ludwig van Beethoven
- Series Bärenreiter Urtext
- Editor Mario Aschauer
-
Difficulty Level
- Edition Sheet Music Download (Urtext)
- Publisher Bärenreiter Verlag
- Order no. BA9657-DL
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Description:
In December 1818, the Viennese music publisher Pietro Cappi announced the founding of a new publishing house with his business partner Anton Diabelli. The new company Cappi & Diabelli proved to have a good feel for the tastes of the time and quickly became one of the most influential music publishers of the Viennese Biedermeier period.
Shortly after its foundation, Diabelli sent a 32-bar waltz that he had composed himself to the most famous composers of the Austrian Empire with a call to write variations for publication as part of a joint project. As far as we know today, only one of the composers explicitly rejected this collaboration: Beethoven.
It is not known why Beethoven did not want to take part in the competition. Nevertheless, he composed 33 variations, which were not to be published as part of Diabelli's project, but by other means. Beethoven's Diabelli Variations mark the peak of his variation output and, like Bach's "Goldberg Variations", are among the most important contributions to this art form.
In the foreword to this edition, editor Mario Aschauer describes the extremely complex source situation. Discrepancies between the main sources have been highlighted as "Ossia" passages in light gray print. A detailed Critical Report (English) and practical performance notes on Viennese piano playing in Beethoven's time (German/English) round off this outstanding Urtext edition.
Shortly after its foundation, Diabelli sent a 32-bar waltz that he had composed himself to the most famous composers of the Austrian Empire with a call to write variations for publication as part of a joint project. As far as we know today, only one of the composers explicitly rejected this collaboration: Beethoven.
It is not known why Beethoven did not want to take part in the competition. Nevertheless, he composed 33 variations, which were not to be published as part of Diabelli's project, but by other means. Beethoven's Diabelli Variations mark the peak of his variation output and, like Bach's "Goldberg Variations", are among the most important contributions to this art form.
In the foreword to this edition, editor Mario Aschauer describes the extremely complex source situation. Discrepancies between the main sources have been highlighted as "Ossia" passages in light gray print. A detailed Critical Report (English) and practical performance notes on Viennese piano playing in Beethoven's time (German/English) round off this outstanding Urtext edition.