Bärenreiter Verlag Sheet Music

This collection of instrumental numbers from the "Tragédie in fünf Akten" Zoroastre brings together the movements and dances from all the original versions, i.e. those from January and February 1756 (...

This edition brings together all the purely instrumental movements of Rameau's comédie-ballet "Les Paladins" for performances as a suite in the concert hall. In view of the wealth of its musical treas...

This edition brings together all the purely instrumental and danced movements of one of Rameau's most popular operas as well as those of the last and incomplete one-act opéra-ballet "Io", during the c...

Rameau's Hippolyte et Aricie presents great confusion among nymphs and gods. The opera is a fascinating masterpiece of a tragédie en musique by the French baroque composer. The Symphonies edition brin...

Although not performed during his lifetime, Rameau’s “Les Boréades” from 1762 are his musical masterpiece and a synthesis of his compositional work. All the musical innovations to which the composer s...

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...

'One Opera I saw represented about 16 severall times; and so farr was I from being weary of it, I would ride hundreds of miles to see the same over again (…).' These words are from the travel diary of...

Die neue Edition der vorletzten Oper Janáceks, 'Die Sache Makropulos', ist eine Rekonstruktion der Urfassung des Werkes; von der endgültigen Fassung unterscheidet sie sich nur in Details. Die Urauffüh...

'Hey brother! There's an endless road to rediscover Hey sister! Know the water's sweet but blood is thicker...' 'If the sky comes falling down, for you / There’s nothing in this world I wouldn’t do'....

'Oh, sometimes I get a good feeling, yeah Get a feeling that I never, never, never, never had before...' In its original form, 'Levels' is more of an instrumental number featuring a short passage from...

'You said you'd follow me anywhere But your eyes tell me you won't be there...' 'Without you' is a song about the pain of love, of abandonment, of the strength it takes to relearn how to continue ones...

'You said you'd follow me anywhere But your eyes tell me you won't be there...' 'Without you' is a song about the pain of love, of abandonment, of the strength it takes to relearn how to continue ones...

Saying goodbye to a loved one is often emotionally linked to a particular song. The relatives see in a song exactly the feelings that are so difficult to express in this situation. 12 such songs are c...

Lehrbuch für Lehrerausbildung und Mittelschulen. 104 Vokalisen für eine (gelegentlich auch mehrere) Singstimme/n und Klavier (tschechisch/deutsch). SingSt, Klavier - Spielpartitur; Singpartitur; Urtex...

(TTBarBarBB)/ - Gemischter Chor (SSAATBB)/ - Gemischter Chor (SMATBarB) - Partitur

(TTBarBarBB)/ - Gemischter Chor (SSAATBB)/ - Gemischter Chor (SMATBarB) - Partitur

World premiere on February 16, 2007 in Graz: Grazer Keplerspatzen, conducted by Ulrich Höhs

The movements of the "Mörike-Chorliederbuch" are among the most beautiful tasks facing choirs today in the field of moderate modernism.

10 ausgewählte Sätze für 3 Frauenstimmen (1 Satz auch mit Tenor statt Alt) (solistisch oder chorisch) a cappella (italienisch / deutsch). Frauenchor-SSA - Sammelband

Claudio Monteverdi's Conzenettas from 1584 show the master from a hitherto less recognized side, namely as the creator of a "minor art" that is not inferior to his great works, the music dramas and ma...

Ingenting utanför - Nothing Beyond' is another collaboration between Mårten Jansson and the Swedish poet Einar Askestad. This a cappella choral work deals with sorrow and loss. After a forceful, harmo...

Another collaboration between Mårten Jansson and the Swedish poet Einar Askestad is Ingenting utanför/Nothing Beyond. The a cappella work deals with the themes of grief and loss. After a powerful, lam...

Gesualdo's “Libro primo di Madrigali a cinque voci” was first published in 1594 in part books by Baldini in Ferrara. (However, we know that a "private" printing had existed previously, but no trace of...