Baton Music
Pablo de Sarasate was not only a great violin player but a composer as well and because of that it´s quite logic that the violin plays an important role in his work. In 1885 de Sarasate composed his '...
Pablo de Sarasate was not only a great violin player but a composer as well and because of that it´s quite logic that the violin plays an important role in his work. In 1885 de Sarasate composed his '...
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- Yorick De Bruycker
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Pablo de Sarasate was not only a great violin player but a composer as well and because of that it´s quite logic that the violin plays an important role in his work. In 1885 de Sarasate composed his '...
Pablo de Sarasate was not only a great violin player but a composer as well and because of that it´s quite logic that the violin plays an important role in his work. In 1885 de Sarasate composed his '...
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- Yorick De Bruycker
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Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...
Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...
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- Vincenzo Bellini
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Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...
Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...
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- Vincenzo Bellini
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Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...
Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...
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Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...
Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. 'La Sonnambula' is the first of Bell...
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For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
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- Davide Antonio Pedrazzini
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For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
- Concert Band (Solo/Feature: Piano)
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- Davide Antonio Pedrazzini
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For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
- Concert Band (Solo/Feature: Piano)
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- Davide Antonio Pedrazzini
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For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
For piano four-hands Franz Schubert composed a small series of three military marches, which are collected under the catalog of works by Otto Erich, German, as D 733. The first of the three is far mor...
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- Davide Antonio Pedrazzini
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The Prelude for Orchestra (Granada) was commissioned in 1961 by Granada Television for use in their broadcasts.Walton had composed in the genre several times before (Crown Imperial, Spitfire etc.) but...
The Prelude for Orchestra (Granada) was commissioned in 1961 by Granada Television for use in their broadcasts.Walton had composed in the genre several times before (Crown Imperial, Spitfire etc.) but...
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- Gerhart Drijvers
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The Prelude for Orchestra (Granada) was commissioned in 1961 by Granada Television for use in their broadcasts.Walton had composed in the genre several times before (Crown Imperial, Spitfire etc.) but...
The Prelude for Orchestra (Granada) was commissioned in 1961 by Granada Television for use in their broadcasts.Walton had composed in the genre several times before (Crown Imperial, Spitfire etc.) but...
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- Gerhart Drijvers
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The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...
The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...
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The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...
The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...
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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...
Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...
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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...
Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...
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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...
Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...
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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...
Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...
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Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
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- Gerard Posch
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Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
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- Gerard Posch
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Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
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- Gerard Posch
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Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
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- Gerard Posch
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'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...
'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...
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- Marc Koninkx
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'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...
'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...
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- Marc Koninkx
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'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...
'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...
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- Marc Koninkx
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Baton Music
The music publisher Baton Music offers a large repertoire of wind band sheet music, sheet music for brass and brass from the areas of classical music, opera and operetta. Here you can find the complete offer with over 720 sheet music from Baton Music.