Boosey & Hawkes Sheet Music

Partitur und Stimmen - 4 Klarinetten

Partitur und Stimmen - 4 Klarinetten

The composer states that'the piece begins with a slowly falling scale of seven notes, thrown from one player to another, repeated nine times and embellished with ornamental flurries which outline a gr...

Easy pieces for beginners including music from different styles, cultures and times - classical, pop, jazz and world music. Can be used with all stages (1-6) of the Boosey B flat Brass Band Instrument...

First published in the 1930's and still going strong! Otto Langey's classic tutors include helpful diagrams and illustrations, fingering charts and many studies and examples from standard repertoire,...

Twenty very elementary pieces for young players written and arranged by the world's favourite string teacher Sheila Nelson. Note reading is introduced one finger at a time, building up finger pattern...

In these duets the well-know tune always appears as the top line. This player must hold the rhythm very steadily, so that the violinist with the lower line (wich is the harder part) can play the music...

In these duets the well-know tune always appears as the top line. This player must hold the rhythm very steadily, so that the violinist with the lower line (wich is the harder part) can play the music...

The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of thi...

String teaching material by the world's favourite string teacher Sheila Nelson. Technitunes introduce quite advanced aspects of technique, such as high positions, harmonics, rapid bowings and double s...

In these duets the well-known tune always appears as the top line. This player must hold the rhythm very steadily, so that the cellist with the lower line (which is the harder part) can play the music...

In these duets the well-known tune always appears as the top line. This player must hold the rhythm very steadily, so that the cellist with the lower line (which is the harder part) can play the music...