Symétrie

This edition of the work entitled Capriccio, written in about 1800, is based on the manuscripts Ms 12077 and 2496 of the Bibliothèque nationale de France. The latter is a collection, with the title Pr...

This edition of the work entitled Harmonie, written in about 1800, is based on the manuscripts Ms 12068 and 2496 of the Bibliothèque nationale de France. The latter is a collection, with the title Pra...

This edition of La Chercheuse d'esprit is based on the sole surviving source, the manuscript Ms 12066 of the Bibliothèque nationale de France. The subtitle is xiii Ariettes françoises du Seizième Sièc...

This edition of the work entitled Mesure composée [Combined Metre], written probably in the mid-1790s, is based on the manuscripts Ms 12079 and 2496 of the Bibliothèque nationale de France. The latter...

This edition of the work entitled Fantaisie sur un seul accord [Fantasia on a Single Chord], written in about 1800, is based on the manuscripts Ms 12063 and 2496 of the Bibliothèque nationale de Franc...

This edition of the work entitled 34 Études dans le genre fugué (34 Studies in Fugal Style), which we are publishing in four parts, is based on that published in Paris, in two volumes of 17 studies, i...

This edition of the work entitled 34 Études dans le genre fugué (34 Studies in Fugal Style), which we are publishing in four parts, is based on that published in Paris, in two volumes of 17 studies, i...

This edition of the work entitled 34 Études dans le genre fugué (34 Studies in Fugal Style), which we are publishing in four parts, is based on that published in Paris, in two volumes of 17 studies, i...

This edition of the work entitled 34 Études dans le genre fugué (34 Studies in Fugal Style), which we are publishing in four parts, is based on that published in Paris, in two volumes of 17 studies, i...

Tchaikovsky's Sixth Symphony, premiered and conducted by the composer in Saint-Petersburg on October 16th, 1893, was allegedly called "Pathétique" by the author himself. Tchaikovsky animated it with a...

There are three piano sonatas by Reicha entitled "Grande Sonate". Despite the French title, they were written when Reicha was living in Vienna, before his final move to Paris in 1808. At that time, in...

This set of piano sonatas includes almost 3 hours of music composed in his maturity by Antoine Reicha. A beautiful set for a gift or to discover French romantic piano music. Grande Sonate en mi bémol...

Details: melodies

Details: 4 trumpets in C, 4 horns in F, 4 trombones, 1 tuba, 1 percussionist (glockenspiel, metal block, wooden block, suspended cymbal, snare drum, foot bass drum)

On the occasion of the first edition of the Saint-Émilion Festival (Gironde, France) in 1967, the Loewenguth Quartett was invited to perform Henri Sauguet's String Quartett Nr. 2. Due to the success o...

The viola da gamba has always awakened my listening to this strange concept of the "inside of the sound". Why this instrument and not another one? The bow's peculiar smile? It seemed to me then, and...

Alongside his works devoted to the piano (his "water-divining rod") Henri Sauguet wrote numerous pages for a solo instrument, wether they are concert works for renowned instrumentalists (as his Sonate...

Learning at a very early age the piano and the violin and surrounded by brothers and sisters playing the piano and string instruments, Jean Cras quickly came to compose chamber music. First a piano tr...

The manuscript of Sine nomine mentions as the date of completion: "Paris, 24/2/1987". The circumstances of its birth should have led to a radically different result to what we are listening: it was su...

Learning at a very early age the piano and the violin and surrounded by brothers and sisters playing the piano and string instruments, Jean Cras quickly came to compose chamber music. First a piano tr...

The stylistically very classic Variations en forme de chaconne were first performed on 23rd February 1902 by Gaston Courras, a cellist at the Paris Opera, and the composer at the piano. This piece bel...

All his life, Sauguet had been in touch with artists of diμerent generations and backgrounds: composers of course, interpreters, choreographers and dancers, poets, actors, painters and decorators, fil...

All his life, Sauguet had been in touch with artists of diμerent generations and backgrounds: composers of course, interpreters, choreographers and dancers, poets, actors, painters and decorators, fil...

All his life, Sauguet had been in touch with artists of diμerent generations and backgrounds: composers of course, interpreters, choreographers and dancers, poets, actors, painters and decorators, fil...