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Regina coeli This piece was written in 2004 for the dedication of the new organ of the St. Niklaus Church in Humpolec, Croatia. The collaboration and use of children(s) voice with the sacred text was...
Regina coeli This piece was written in 2004 for the dedication of the new organ of the St. Niklaus Church in Humpolec, Croatia. The collaboration and use of children(s) voice with the sacred text was...
- Voice, Flute and Organ
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The beginning is taken from one of my previous works (1994) written for women's choir with harp and incorporated into this Libera me, with the addition of two horns. The first performance was given in...
The beginning is taken from one of my previous works (1994) written for women's choir with harp and incorporated into this Libera me, with the addition of two horns. The first performance was given in...
- Women's Choir (SA), 2 Horns and Harp
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This Gloria ('Glory to God in the highest', written here on a German text) evolves from an intimate and contemplative atmosphere to an exciting spiritual fervour and can be performed either within the...
This Gloria ('Glory to God in the highest', written here on a German text) evolves from an intimate and contemplative atmosphere to an exciting spiritual fervour and can be performed either within the...
- Mixed Choir (SATB), Organ and Ensemble
- Set of Parts
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This Gloria ('Glory to God in the highest', written here on a German text) evolves from an intimate and contemplative atmosphere to an exciting spiritual fervour and can be performed either within the...
This Gloria ('Glory to God in the highest', written here on a German text) evolves from an intimate and contemplative atmosphere to an exciting spiritual fervour and can be performed either within the...
- Mixed Choir (SATB), Organ and Ensemble
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The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
- Horn and Chamber Orchestra
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The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
The Horn Concerto No. 2 for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idiom...
- Horn and Chamber Orchestra
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This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
- Flute and Chamber Orchestra
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This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
- Flute and Chamber Orchestra
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2 solistes, choeur d'enfants et orchestre de chambre Exact instrumentation: soprano, baryton, choeur d'enfants, 2.1.1.1 - 2.2.1.1. - celesta, harpe, 2 percussions, cordes (6.5.4.3.2 min. 5.4.2.2.1)
2 solistes, choeur d'enfants et orchestre de chambre Exact instrumentation: soprano, baryton, choeur d'enfants, 2.1.1.1 - 2.2.1.1. - celesta, harpe, 2 percussions, cordes (6.5.4.3.2 min. 5.4.2.2.1)
- Soloists, Children's Choir and Chamber Orchestra
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Chamber Orchestra Exact instrumentation: 1(picc).1(eh).1(bcl).1(cbs). - 1.1(picc,flg).0.0. - percussion (1) - piano - strings
Chamber Orchestra Exact instrumentation: 1(picc).1(eh).1(bcl).1(cbs). - 1.1(picc,flg).0.0. - percussion (1) - piano - strings
- Chamber Orchestra
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Chamber Orchestra Exact instrumentation: 2.2.2.2-2.2.0.0.-timpani, percussion, vibraphone, celesta, strings
Chamber Orchestra Exact instrumentation: 2.2.2.2-2.2.0.0.-timpani, percussion, vibraphone, celesta, strings
- Chamber Orchestra
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Chamber Orchestra Exact instrumentation: 2.2.2.2.-2.2.0.0. - timpani, percussion, strings
Chamber Orchestra Exact instrumentation: 2.2.2.2.-2.2.0.0. - timpani, percussion, strings
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Chamber Orchestra Exact instrumentation: 2.1.2.2.-2.1.0.0 - strings
Chamber Orchestra Exact instrumentation: 2.1.2.2.-2.1.0.0 - strings
- Chamber Orchestra
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Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
- Accordion and Chamber Orchestra
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Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
Simmelibärg-Suite for solo accordion and small chamber orchestra follows six movements, each of which refers to a different and well-known Swiss folk music song. These are by no means just new arrange...
- Accordion and Chamber Orchestra
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Study score and solo parts.
Study score and solo parts.
- 3 Percussion and Chamber Orchestra
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The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
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The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and January 10th 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
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The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
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The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
The Concertino* was written between 17th December 1966 and 10th January 1967 in Belmont, near Lausanne, a few months before the composer's death. It is in three movements: Capriccio (5'30'), Recitativ...
- Trumpet and Chamber Orchestra
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Trumpet (C or Bb) and chamber orchestra or wind ensemble or piano Exact instrumentation: Orchestra Version: 1.1.0.1.-1.0.0.0 - timpani, strings - wind ensemble version: flute, oboe, clarinet, bassoon,...
Trumpet (C or Bb) and chamber orchestra or wind ensemble or piano Exact instrumentation: Orchestra Version: 1.1.0.1.-1.0.0.0 - timpani, strings - wind ensemble version: flute, oboe, clarinet, bassoon,...
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I wrote Passages with several goals in mind. First, I wanted to write a concertino for solo trumpet that would display many different musical and emotional aspects of the instrument in a fairly access...
I wrote Passages with several goals in mind. First, I wanted to write a concertino for solo trumpet that would display many different musical and emotional aspects of the instrument in a fairly access...
- Trumpet and Chamber Orchestra
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I wrote Passages with several goals in mind. First, I wanted to write a concertino for solo trumpet that would display many different musical and emotional aspects of the instrument in a fairly access...
I wrote Passages with several goals in mind. First, I wanted to write a concertino for solo trumpet that would display many different musical and emotional aspects of the instrument in a fairly access...
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The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
- Tuba and Chamber Orchestra
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The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
The music of 'Eclipse Finale?' is a fantasy on the well-known German folk song 'Der Mond ist aufgegangen' (The moon has risen). 'Eclipse finale?' is a piece which presents the age-old fear that the mo...
- Tuba and Chamber Orchestra
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