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Kantate zum 15. Sonntag nach Trinitatis. Sopran solo, Trompete, Violine (2), Viola, Basso continuo - Klavierauszug; Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
Kantate zum 15. Sonntag nach Trinitatis. Sopran solo, Trompete, Violine (2), Viola, Basso continuo - Klavierauszug; Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
- High Voice and Piano
- Piano Reduction (Urtext)
- Martin Focke
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Cantata for the 27th Sunday after Trinity (German/English), after the Urtext of the New Bach Edition. Soprano solo, Tenor solo, Bass solo, Oboe (2), Oboe-dacc, Strings, Basso continuo
Cantata for the 27th Sunday after Trinity (German/English), after the Urtext of the New Bach Edition. Soprano solo, Tenor solo, Bass solo, Oboe (2), Oboe-dacc, Strings, Basso continuo
- 3 Voices and Piano
- Piano Reduction (Urtext)
- Alfred Dürr
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Sopran solo, Bass solo, Klavier
Sopran solo, Bass solo, Klavier
- High Voice, Low Voice and Piano
- Piano Reduction (Urtext)
- Andreas Köhs
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Zwischen 1728 und 1747 komponierte Händel diese neun zweistimmigen Sätze für Sopran und Instrumentalbass. Zu den Entstehungsanlässen und der genauen Datierung gibt es nur Vermutungen. Händel unterlegt...
Zwischen 1728 und 1747 komponierte Händel diese neun zweistimmigen Sätze für Sopran und Instrumentalbass. Zu den Entstehungsanlässen und der genauen Datierung gibt es nur Vermutungen. Händel unterlegt...
- High Voice and Continuo
- Vocal Score
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Klavierauszug nach dem Urtext der Hallischen Händel-Ausgabe__ - Vocal score based on the Halle Handel Edition Sopran solo, Violine 1, Violine 2, Basso continuo - Klavierauszug
Klavierauszug nach dem Urtext der Hallischen Händel-Ausgabe__ - Vocal score based on the Halle Handel Edition Sopran solo, Violine 1, Violine 2, Basso continuo - Klavierauszug
- High Voice and Piano
- Piano Reduction (Urtext)
- Andreas Köhs
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In 2001, the Hamburg musicologist Hans Joachim Marx discovered a previously unknown composition by George Frideric Handel at the Royal Academy of Music in London. The Gloria for solo soprano, two viol...
In 2001, the Hamburg musicologist Hans Joachim Marx discovered a previously unknown composition by George Frideric Handel at the Royal Academy of Music in London. The Gloria for solo soprano, two viol...
- High Voice and Piano
- Piano reduction Download (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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> Festive cantata based on the Urtext of the New Bach Edition > With a duration of 20-25 minutesWith his cantata Meine Seel erhebt den Herren which Bach composed for the Visitation of Mary (2 July),...
> Festive cantata based on the Urtext of the New Bach Edition > With a duration of 20-25 minutesWith his cantata Meine Seel erhebt den Herren which Bach composed for the Visitation of Mary (2 July),...
- Soloists (SATB), Mixed Choir, Trumpet, 2 Oboes, 2 Violins, Viola, Continuo and Organ
- Piano Reduction
- Matthias Grünert
- Bärenreiter Verlag
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- Soloists, Choir, 2 Pianos and Harmonium
- Score
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Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...
Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...
- Soloists, Mixed Choir, Strings and Continuo
- Score (Urtext)
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Sopran solo, Violine 1, Violine 2, Basso continuo - Partitur; Urtextausgabe
Sopran solo, Violine 1, Violine 2, Basso continuo - Partitur; Urtextausgabe
- High Voice, 2 Violins and Continuo
- Score (Urtext)
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Sopran solo, Alt solo, Alt solo, Tenor solo, Bass solo, Bass solo, Gemischter Chor (SAATBB), Oboe 1, Oboe 2, Streicher, Basso continuo - Partitur; Urtextausgabe
Sopran solo, Alt solo, Alt solo, Tenor solo, Bass solo, Bass solo, Gemischter Chor (SAATBB), Oboe 1, Oboe 2, Streicher, Basso continuo - Partitur; Urtextausgabe
- Soloists, Mixed Choir (SAATBB), 2 Oboes, Strings and Continuo
- Score (Urtext)
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5 Sonaten für Orgel und Streicher (ohne Viola). Urtext der Neuen Mozart-Ausgabe. Orgel Solo, Streicher - Spielpartitur; Stimmensatz; Urtextausgabe
5 Sonaten für Orgel und Streicher (ohne Viola). Urtext der Neuen Mozart-Ausgabe. Orgel Solo, Streicher - Spielpartitur; Stimmensatz; Urtextausgabe
- Organ, 2 Violins, Cello and Double Bass
- Score and Parts (Urtext)
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2 Sonaten für Orgel und Kammerorchester (Streicher ohne Viola). Urtext der Neuen Mozart-Ausgabe. Orgel Solo, Kammerorchester - Partitur; Spielpartitur; Urtextausgabe
2 Sonaten für Orgel und Kammerorchester (Streicher ohne Viola). Urtext der Neuen Mozart-Ausgabe. Orgel Solo, Kammerorchester - Partitur; Spielpartitur; Urtextausgabe
- Organ, 2 Violins, Cello and Double Bass
- Score (Urtext)
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Sonate für Orgel und Kammerorchester (Streicher ohne Viola). Urtext der Neuen Mozart-Ausgabe - Sonata for Organ and Ochestra (Strings without Viola). Orgel Solo, Clarin-Trompete (2), Streicher - Parti...
Sonate für Orgel und Kammerorchester (Streicher ohne Viola). Urtext der Neuen Mozart-Ausgabe - Sonata for Organ and Ochestra (Strings without Viola). Orgel Solo, Clarin-Trompete (2), Streicher - Parti...
- Organ, 2 Violins, Viola, Double Bass and 2 Trumpets
- Score and Parts (Urtext)
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Gemischter Chor-SATB, Posaune (3), Streicher, Orgel - Urtextausgabe; Partitur
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Gemischter Chor-SATB, Posaune (3), Streicher, Orgel - Urtextausgabe; Partitur
- Soloists, Mixed Choir (SATB), 2 Violins, Cello and Organ
- Score (Urtext)
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Urtext der Neuen Mozart-Ausgabe - Nur noch als Spielpartitur erhaeltlich - statt der Orgelstimme kann opt. ein Cello eingesetzt werden
Urtext der Neuen Mozart-Ausgabe - Nur noch als Spielpartitur erhaeltlich - statt der Orgelstimme kann opt. ein Cello eingesetzt werden
- Mixed Choir (SATB), 2 Violins, Viola, Double Bass and Organ
- Score (Urtext)
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Psalm für Solostimme aus Vesperae solennes de Confessore. Urtext der Neuen Mozart-Ausgabe. (Partitur = Orgelstimme). Sopran solo, Gemischter Chor-SATB, Fagott, Streicher, Orgel - Partitur; Urtextausga...
Psalm für Solostimme aus Vesperae solennes de Confessore. Urtext der Neuen Mozart-Ausgabe. (Partitur = Orgelstimme). Sopran solo, Gemischter Chor-SATB, Fagott, Streicher, Orgel - Partitur; Urtextausga...
- High Voice, Mixed Choir (SATB), Bassoon, Strings and Organ
- Score (Urtext)
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Posaune (3), Streicher (ohne Va), Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Posaune (3), Streicher (ohne Va), Orgel - Partitur; Urtextausgabe
- Soloists, Mixed Choir (SATB), 3 Trombones, Strings and Organ
- Score (Urtext)
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
- Soloists, Mixed Choir (SATB), Bassoon, 3 Trombones, Strings and Organ
- Score (Urtext)
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
- Soloists, Mixed Choir (SATB), Bassoon, 3 Trombones, Strings and Organ
- Score (Urtext)
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Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
- Soloists (STB), Mixed Choir (SATB), Strings and Organ
- Score
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Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
- Soloists (STB), Mixed Choir (SATB), Strings and Organ
- Set of Parts - Harmony
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Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
- Soloists (STB), Mixed Choir (SATB), Strings and Organ
- Set of Parts - Harmony Download
- Bärenreiter Verlag
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Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
Franz Schubert composed the Mass in G major (D 167) in March 1815. He had only made his first public appearance as a composer six months earlier with his first Mass in F major (D 105). Even though no...
- Soloists (STB), Mixed Choir (SATB), Strings and Organ
- Score Download
- Bärenreiter Verlag
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72 Solokantaten für eine Singstimme, ein Instrument und Basso continuo.
72 Solokantaten für eine Singstimme, ein Instrument und Basso continuo.
- High Voice, Instrument and Continuo
- Score (Urtext)
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