Bärenreiter Urtext
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Felix Mendelssohn Bartholdy
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Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
- Soloists (SSTB), 2 Mixed Choirs (SATB) and Orchestra
- Score (Urtext)
- Ulrich Leisinger
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As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...
As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...
- Orchestra
- Score (Urtext)
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- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score (Urtext)
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Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...
Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...
- Piano and Orchestra
- Piano Reduction (Urtext)
- Karel Šolc
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Antonín Dvorák’s five-movement “Suite in A major” for piano was completed in New York on 1 March 1894, shortly after the triumphant success of his “New World” Symphony. As he himself noted in the auto...
Antonín Dvorák’s five-movement “Suite in A major” for piano was completed in New York on 1 March 1894, shortly after the triumphant success of his “New World” Symphony. As he himself noted in the auto...
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- Sheet Music (Urtext)
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for Pianoforte and Orchestra - 'Coronation Concerto'
for Pianoforte and Orchestra - 'Coronation Concerto'
- Piano and Orchestra
- Piano reduction with part(s)
- Martin Schelhaas
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- Piano
- Piano Reduction
- Rasmus Baumann
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Haydn's late piano sonatas Hob. XVI:40-42 (1784) and Hob. XVI:48-52 (1788-95) reveal him to be a highly distinctive and consummate master in terms of form and expression. These technically brilliant w...
Haydn's late piano sonatas Hob. XVI:40-42 (1784) and Hob. XVI:48-52 (1788-95) reveal him to be a highly distinctive and consummate master in terms of form and expression. These technically brilliant w...
- Piano
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Saties 'Ogives' und 'Gymnopédies' sind Meilensteine der musikalischen Moderne. Die metrisch freien 'Ogives' (Spitzbögen) spiegeln den Einfluss der französischen Neugotik bzw. Neogregorianik in Archite...
Saties 'Ogives' und 'Gymnopédies' sind Meilensteine der musikalischen Moderne. Die metrisch freien 'Ogives' (Spitzbögen) spiegeln den Einfluss der französischen Neugotik bzw. Neogregorianik in Archite...
- Piano
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> Urtext editions based on all the sources and latest research findings > Easy to moderately difficult pieces > Ideal for teaching purposes > Optimum page-turns > Translations of all of Satie's French...
> Urtext editions based on all the sources and latest research findings > Easy to moderately difficult pieces > Ideal for teaching purposes > Optimum page-turns > Translations of all of Satie's French...
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Debussy verbindet seine '12 Préludes' des ersten Heftes nicht durch ein tonartliches Schema, sondern durch eine Kette assoziativer Mottos oder Titel, die er den Stücken jeweils am Ende folgen lässt un...
Debussy verbindet seine '12 Préludes' des ersten Heftes nicht durch ein tonartliches Schema, sondern durch eine Kette assoziativer Mottos oder Titel, die er den Stücken jeweils am Ende folgen lässt un...
- Piano
- Sheet Music (Urtext)
- Martin Widmaier
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Three years after the publication of the first volume, the second volume of Debussy's Préludes was published in 1913. Here the music reflects the impressions of Stravinsky's music on the composer. In...
Three years after the publication of the first volume, the second volume of Debussy's Préludes was published in 1913. Here the music reflects the impressions of Stravinsky's music on the composer. In...
- Piano
- Sheet Music (Urtext)
- Martin Widmaier
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Ich glaube - ohne falsche Eitelkeit -, dass diese drei Stücke sich gut machen und ihren Platz in der Klavierliteratur einnehmen werden - zur Linken Schumanns oder zur Rechten Chopins - as you like it'...
Ich glaube - ohne falsche Eitelkeit -, dass diese drei Stücke sich gut machen und ihren Platz in der Klavierliteratur einnehmen werden - zur Linken Schumanns oder zur Rechten Chopins - as you like it'...
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- Sheet Music
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It was unmistakably Liszt's piano piece 'Les jeux d'eau à la Villa d'Este' that inspired Ravel to compose one of his most famous works in 1901: 'Jeux d'eau'. Laid out in sonata form, its sound is gove...
It was unmistakably Liszt's piano piece 'Les jeux d'eau à la Villa d'Este' that inspired Ravel to compose one of his most famous works in 1901: 'Jeux d'eau'. Laid out in sonata form, its sound is gove...
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Chabrier, der von der jungen Komponistengeneration Frankreichs, besonders von Debussy, Ravel und Poulenc, als Begründer der französischen Moderne verehrt wurde, gelang nach seiner Spanienreise 1883 ei...
Chabrier, der von der jungen Komponistengeneration Frankreichs, besonders von Debussy, Ravel und Poulenc, als Begründer der französischen Moderne verehrt wurde, gelang nach seiner Spanienreise 1883 ei...
- Piano
- Sheet Music (Urtext)
- Tamara Stefanovich
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In Faurés Gesamtwerk ist die Klaviermusik von zentraler Bedeutung. Seine 1879 entstandene 'Ballade' widmete er seinem Lehrer Camille Saint-Saëns. Sowohl durch ihren lyrischen Charakter als auch in for...
In Faurés Gesamtwerk ist die Klaviermusik von zentraler Bedeutung. Seine 1879 entstandene 'Ballade' widmete er seinem Lehrer Camille Saint-Saëns. Sowohl durch ihren lyrischen Charakter als auch in for...
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Bach's 'Goldberg Variations' remain a fundamental challenge for every harpsichordist and pianist to this day. The fact that Bach intended the work to be performed on a two-manual harpsichord poses a p...
Bach's 'Goldberg Variations' remain a fundamental challenge for every harpsichordist and pianist to this day. The fact that Bach intended the work to be performed on a two-manual harpsichord poses a p...
- Piano
- Sheet Music (Urtext)
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Beethoven's Sonata in C minor, his first great sonata and exemplary for the type of characteristic sonata of the late 18th century, has lost none of its fascination to this day due to its passionate p...
Beethoven's Sonata in C minor, his first great sonata and exemplary for the type of characteristic sonata of the late 18th century, has lost none of its fascination to this day due to its passionate p...
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Beethovens 'Appassionata' in neuer Sicht Mit der f-Moll-Sonate op. 57 (1804/05) setzt Bärenreiter die Urtext-Edition von Beethovens Klaviersonaten mit einem Schlüsselwerk des klassischen Sonatenrepert...
Beethovens 'Appassionata' in neuer Sicht Mit der f-Moll-Sonate op. 57 (1804/05) setzt Bärenreiter die Urtext-Edition von Beethovens Klaviersonaten mit einem Schlüsselwerk des klassischen Sonatenrepert...
- Piano
- Sheet Music (Urtext)
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> Scholarly-critical Urtext edition based on the latest research findings > Enlightening Introduction and notes on period performance practice (Eng/Ger) > Well-presented engraving and practical page t...
> Scholarly-critical Urtext edition based on the latest research findings > Enlightening Introduction and notes on period performance practice (Eng/Ger) > Well-presented engraving and practical page t...
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> Scholarly-critical Urtext edition based on the latest research findings > Enlightening Introduction and notes on period performance practice (Eng/Ger) > Well-presented engraving > Practical page tur...
> Scholarly-critical Urtext edition based on the latest research findings > Enlightening Introduction and notes on period performance practice (Eng/Ger) > Well-presented engraving > Practical page tur...
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> Urtext performance edition at the cutting edge of scholarship > Optimal page turns > Informative Introduction > Valuable suggestions on period performance practice (Eng/Ger) > Detailed Critical Comm...
> Urtext performance edition at the cutting edge of scholarship > Optimal page turns > Informative Introduction > Valuable suggestions on period performance practice (Eng/Ger) > Detailed Critical Comm...
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> Up-to-date scholarly-critical Urtext edition > Well-presented engraving > Practical page turns > Relatively easy to play > Enlightening Introduction and notes on period performance practice (Eng/Ger...
> Up-to-date scholarly-critical Urtext edition > Well-presented engraving > Practical page turns > Relatively easy to play > Enlightening Introduction and notes on period performance practice (Eng/Ger...
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> Based on the Urtext of the New Schubert Edition > First scholarly-critical performing edition of the Fantasy in C minor (D 2 E) > Notes on performance practice (Ger/Eng) > Includes an informative fo...
> Based on the Urtext of the New Schubert Edition > First scholarly-critical performing edition of the Fantasy in C minor (D 2 E) > Notes on performance practice (Ger/Eng) > Includes an informative fo...
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