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Charpentier wrote "In nativitatem Domini canticum" during his time as Kapellmeister at the church of Saint Louis in Paris (around 1690). The work is in the tradition of Carissimi's oratorios and those...

The "Geistliche Chor-Music" published in 1648 is still considered one of Heinrich Schütz's key works. After the revised new edition by Werner Breig, the two-volume practical edition (BA 5901/BA 5902)...

Claudio Monteverdi's "Vespro della Beata Vergine" is certainly one of the most popular sacred works of the 17th century. In addition to numerous recordings, it is performed again and again in whole or...

Gemischter Chor (SSAATTBB) - Chorpartitur; Urtextausgabe

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The three motets op. 69 and the three psalm settings op. 78 are part of the standard repertoire of many choirs and vocal ensembles. The editions by the two Mendelssohn specialists Hiromi Hoshino and M...

The "Gloria" RV 589(BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the "Gloria" as an ind...

Die Missa in F von 1734 für zwei bzw. vier Chöre ist wohl das bedeutendste Werk Pergolesis für Chor und Orchester. Die Bezeichnung 'Missa Romana' ist nachträglich entstanden. Sie geht auf eine Aufführ...

Pergolesi's famous mass - for two or four choirs The Missa in F from 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra. The designation "Missa Romana" was...

> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...

> Gounod's well-known mass in a new Urtext edition > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Idiomatic piano reduction > In preparation for the Gounod bicentenary year 2018 Sacred...

Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...

Beethoven described the magnificent Missa solemnis as "my greatest work" and sold copies of the manuscript to some of his subscribers even before publication. This Urtext edition of the work takes all...

> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...

This choral score completes the performance material for the now well-established Urtext edition of Beethoven's Mass in C major.

The choral score of Felix Mendelssohn Bartholdy's oratorio "Elijah" op. 70 is published on the basis of the critical Urtext edition edited by Mendelssohn specialist Douglass Seaton. The setting of the...

Sopran solo, Alt solo, Tenor solo, Bass solo, gemCh (SATB), Klavier, Posaune (3), Pauke, Streicher, Orgel - Klavierauszug; Urtextausgabe

Felix Mendelssohn Bartholdy completed his first oratorio - "Paulus" op. 36 - in 1836 at the age of 27. The first version, which was premiered on May 22, 1836, underwent extensive revision. This second...

The setting of Psalm 98 was written within a few weeks as a commissioned composition in Mendelssohn's new position as Prussian General Music Director and was premiered by the Berlin Cathedral Choir on...