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This edition contains seven organ chorales from the Leipzig autograph collection of the music teacher and composer Ernst Friedrich Karl Rudorff. Six of the seven chorale arrangements can be regarded a...
This edition contains seven organ chorales from the Leipzig autograph collection of the music teacher and composer Ernst Friedrich Karl Rudorff. Six of the seven chorale arrangements can be regarded a...
- Organ
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Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...
Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...
- Piano and Orchestra
- Piano Reduction (Urtext)
- Karel Šolc
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Antonín Dvorák’s five-movement “Suite in A major” for piano was completed in New York on 1 March 1894, shortly after the triumphant success of his “New World” Symphony. As he himself noted in the auto...
Antonín Dvorák’s five-movement “Suite in A major” for piano was completed in New York on 1 March 1894, shortly after the triumphant success of his “New World” Symphony. As he himself noted in the auto...
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for Pianoforte and Orchestra - 'Coronation Concerto'
for Pianoforte and Orchestra - 'Coronation Concerto'
- Piano and Orchestra
- Piano reduction with part(s)
- Martin Schelhaas
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- Piano
- Piano Reduction
- Rasmus Baumann
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Haydn's late piano sonatas Hob. XVI:40-42 (1784) and Hob. XVI:48-52 (1788-95) reveal him to be a highly distinctive and consummate master in terms of form and expression. These technically brilliant w...
Haydn's late piano sonatas Hob. XVI:40-42 (1784) and Hob. XVI:48-52 (1788-95) reveal him to be a highly distinctive and consummate master in terms of form and expression. These technically brilliant w...
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Saties 'Ogives' und 'Gymnopédies' sind Meilensteine der musikalischen Moderne. Die metrisch freien 'Ogives' (Spitzbögen) spiegeln den Einfluss der französischen Neugotik bzw. Neogregorianik in Archite...
Saties 'Ogives' und 'Gymnopédies' sind Meilensteine der musikalischen Moderne. Die metrisch freien 'Ogives' (Spitzbögen) spiegeln den Einfluss der französischen Neugotik bzw. Neogregorianik in Archite...
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Debussy verbindet seine '12 Préludes' des ersten Heftes nicht durch ein tonartliches Schema, sondern durch eine Kette assoziativer Mottos oder Titel, die er den Stücken jeweils am Ende folgen lässt un...
Debussy verbindet seine '12 Préludes' des ersten Heftes nicht durch ein tonartliches Schema, sondern durch eine Kette assoziativer Mottos oder Titel, die er den Stücken jeweils am Ende folgen lässt un...
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- Martin Widmaier
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Three years after the publication of the first volume, the second volume of Debussy's Préludes was published in 1913. Here the music reflects the impressions of Stravinsky's music on the composer. In...
Three years after the publication of the first volume, the second volume of Debussy's Préludes was published in 1913. Here the music reflects the impressions of Stravinsky's music on the composer. In...
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- Martin Widmaier
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Ich glaube - ohne falsche Eitelkeit -, dass diese drei Stücke sich gut machen und ihren Platz in der Klavierliteratur einnehmen werden - zur Linken Schumanns oder zur Rechten Chopins - as you like it'...
Ich glaube - ohne falsche Eitelkeit -, dass diese drei Stücke sich gut machen und ihren Platz in der Klavierliteratur einnehmen werden - zur Linken Schumanns oder zur Rechten Chopins - as you like it'...
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Ich glaube - ohne falsche Eitelkeit -, dass diese drei Stücke sich gut machen und ihren Platz in der Klavierliteratur einnehmen werden - zur Linken Schumanns oder zur Rechten Chopins - as you like it'...
Ich glaube - ohne falsche Eitelkeit -, dass diese drei Stücke sich gut machen und ihren Platz in der Klavierliteratur einnehmen werden - zur Linken Schumanns oder zur Rechten Chopins - as you like it'...
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It was unmistakably Liszt's piano piece 'Les jeux d'eau à la Villa d'Este' that inspired Ravel to compose one of his most famous works in 1901: 'Jeux d'eau'. Laid out in sonata form, its sound is gove...
It was unmistakably Liszt's piano piece 'Les jeux d'eau à la Villa d'Este' that inspired Ravel to compose one of his most famous works in 1901: 'Jeux d'eau'. Laid out in sonata form, its sound is gove...
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Chabrier, der von der jungen Komponistengeneration Frankreichs, besonders von Debussy, Ravel und Poulenc, als Begründer der französischen Moderne verehrt wurde, gelang nach seiner Spanienreise 1883 ei...
Chabrier, der von der jungen Komponistengeneration Frankreichs, besonders von Debussy, Ravel und Poulenc, als Begründer der französischen Moderne verehrt wurde, gelang nach seiner Spanienreise 1883 ei...
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- Tamara Stefanovich
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In Faurés Gesamtwerk ist die Klaviermusik von zentraler Bedeutung. Seine 1879 entstandene 'Ballade' widmete er seinem Lehrer Camille Saint-Saëns. Sowohl durch ihren lyrischen Charakter als auch in for...
In Faurés Gesamtwerk ist die Klaviermusik von zentraler Bedeutung. Seine 1879 entstandene 'Ballade' widmete er seinem Lehrer Camille Saint-Saëns. Sowohl durch ihren lyrischen Charakter als auch in for...
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Fauré's '13 Barcarolles', composed over a period of almost four decades (1882-1921), are highly representative of his piano oeuvre and are considered his most characteristic works. They reflect his mo...
Fauré's '13 Barcarolles', composed over a period of almost four decades (1882-1921), are highly representative of his piano oeuvre and are considered his most characteristic works. They reflect his mo...
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Faurés vier 'Valses-Caprices'(1882/83-1894) (BA10843) spiegeln verschiedene Formen seiner Auseinandersetzung mit dem Walzer in Verbindung mit der freien Form der Caprice. Anregungen für seine 'Valses-...
Faurés vier 'Valses-Caprices'(1882/83-1894) (BA10843) spiegeln verschiedene Formen seiner Auseinandersetzung mit dem Walzer in Verbindung mit der freien Form der Caprice. Anregungen für seine 'Valses-...
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Beethoven's Sonata in C minor, his first great sonata and exemplary for the type of characteristic sonata of the late 18th century, has lost none of its fascination to this day due to its passionate p...
Beethoven's Sonata in C minor, his first great sonata and exemplary for the type of characteristic sonata of the late 18th century, has lost none of its fascination to this day due to its passionate p...
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Beethovens 'Appassionata' in neuer Sicht Mit der f-Moll-Sonate op. 57 (1804/05) setzt Bärenreiter die Urtext-Edition von Beethovens Klaviersonaten mit einem Schlüsselwerk des klassischen Sonatenrepert...
Beethovens 'Appassionata' in neuer Sicht Mit der f-Moll-Sonate op. 57 (1804/05) setzt Bärenreiter die Urtext-Edition von Beethovens Klaviersonaten mit einem Schlüsselwerk des klassischen Sonatenrepert...
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With the two sonatas of his Opus 27, Beethoven broke new formal ground at the beginning of the 19th century. Each named Sonata quasi una Fantasia, the second in particular became immortal under its la...
With the two sonatas of his Opus 27, Beethoven broke new formal ground at the beginning of the 19th century. Each named Sonata quasi una Fantasia, the second in particular became immortal under its la...
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> Scholarly-critical Urtext edition based on the latest research findings > Enlightening Introduction and notes on period performance practice (Eng/Ger) > Well-presented engraving and practical page t...
> Scholarly-critical Urtext edition based on the latest research findings > Enlightening Introduction and notes on period performance practice (Eng/Ger) > Well-presented engraving and practical page t...
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> Scholarly-critical Urtext edition based on the latest research findings > Enlightening Introduction and notes on period performance practice (Eng/Ger) > Well-presented engraving > Practical page tur...
> Scholarly-critical Urtext edition based on the latest research findings > Enlightening Introduction and notes on period performance practice (Eng/Ger) > Well-presented engraving > Practical page tur...
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> Up-to-date scholarly-critical Urtext edition > Well-presented engraving > Practical page turns > Relatively easy to play > Enlightening Introduction and notes on period performance practice (Eng/Ger...
> Up-to-date scholarly-critical Urtext edition > Well-presented engraving > Practical page turns > Relatively easy to play > Enlightening Introduction and notes on period performance practice (Eng/Ger...
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> Based on the Urtext of the New Schubert Edition > First scholarly-critical performing edition of the Fantasy in C minor (D 2 E) > Notes on performance practice (Ger/Eng) > Includes an informative fo...
> Based on the Urtext of the New Schubert Edition > First scholarly-critical performing edition of the Fantasy in C minor (D 2 E) > Notes on performance practice (Ger/Eng) > Includes an informative fo...
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Schumann's 'Arabeske' and 'Blumenstück' were both composed while he was living in Vienna from October 1838 to April 1839, and are thus companions to such major piano pieces as the 'Fantasy in C major'...
Schumann's 'Arabeske' and 'Blumenstück' were both composed while he was living in Vienna from October 1838 to April 1839, and are thus companions to such major piano pieces as the 'Fantasy in C major'...
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