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Following the first two volumes of the pioneering new edition, Bärenreiter now presents Couperin's 'Troisième livre' of the 'Pièces de clavecin' (1722) edited by Denis Herlin. In addition to the six '...
Following the first two volumes of the pioneering new edition, Bärenreiter now presents Couperin's 'Troisième livre' of the 'Pièces de clavecin' (1722) edited by Denis Herlin. In addition to the six '...
- Harpsichord
- Sheet Music (Urtext)
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The French musicologist Denis Herlin, who learned to play the harpsichord from keyboard legends such as Kenneth Gilbert and Huguette Dreyfus, has once again produced an exemplary edition of a classic...
The French musicologist Denis Herlin, who learned to play the harpsichord from keyboard legends such as Kenneth Gilbert and Huguette Dreyfus, has once again produced an exemplary edition of a classic...
- Harpsichord
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Soprano solo, Mezzo-soprano solo (2), Alto solo, Tenor solo, Bass solo, Mixed choir (2), Orchestra - Piano reduction; Urtext edition; Complete edition.
Soprano solo, Mezzo-soprano solo (2), Alto solo, Tenor solo, Bass solo, Mixed choir (2), Orchestra - Piano reduction; Urtext edition; Complete edition.
- Soloists, 2 Mixed Choirs (SATB) and Piano
- Piano Reduction (Urtext)
- Martin Focke Andrea Campora
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Between 1889 and 1897, Satie composed a series of piano pieces which he gave the erratic title 'Gnossiennes' and provided with deliberately ironic performance instructions in which he satirizes the ex...
Between 1889 and 1897, Satie composed a series of piano pieces which he gave the erratic title 'Gnossiennes' and provided with deliberately ironic performance instructions in which he satirizes the ex...
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The composer, piano virtuoso and singer Marianna Martines (1744-1812), daughter of the master of ceremonies of the apostolic nuncio in Vienna, Nicolò Martines, was significantly supported by Pietro Me...
The composer, piano virtuoso and singer Marianna Martines (1744-1812), daughter of the master of ceremonies of the apostolic nuncio in Vienna, Nicolò Martines, was significantly supported by Pietro Me...
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- Organ
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- Piano
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In 1903, Satie composed his famous four-hand piano cycle with the provocative and ambiguous title "3 Morceaux en forme de Poire" ("poire" can mean "pear" in French, but also "fool"), a distanced and i...
In 1903, Satie composed his famous four-hand piano cycle with the provocative and ambiguous title "3 Morceaux en forme de Poire" ("poire" can mean "pear" in French, but also "fool"), a distanced and i...
- Piano 4 Hands
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The composer, piano virtuoso and singer Marianna Martines (1744-1812), daughter of the master of ceremonies of the apostolic nuncio in Vienna, Nicolò Martines, was significantly supported by Pietro Me...
The composer, piano virtuoso and singer Marianna Martines (1744-1812), daughter of the master of ceremonies of the apostolic nuncio in Vienna, Nicolò Martines, was significantly supported by Pietro Me...
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Erste kritisch-praktische Edition von Werken des bedeutenden spanischen Organisten Bislang schwer zugängliche Werke jetzt auf dem neuesten wissenschaftlichen Erkenntnisstand Die leicht spielbare vierb...
Erste kritisch-praktische Edition von Werken des bedeutenden spanischen Organisten Bislang schwer zugängliche Werke jetzt auf dem neuesten wissenschaftlichen Erkenntnisstand Die leicht spielbare vierb...
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Jehan Alain, a pupil of Marcel Dupré , came from a family of musicians near Paris . His works display literary influences as well as the influence of Gregorian chant, early music, impressionism, jazz,...
Jehan Alain, a pupil of Marcel Dupré , came from a family of musicians near Paris . His works display literary influences as well as the influence of Gregorian chant, early music, impressionism, jazz,...
- Organ
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Sämtliche Orgelwerke, Band IV. Spielpartitur(en), Sammelband, Urtextausgabe
Sämtliche Orgelwerke, Band IV. Spielpartitur(en), Sammelband, Urtextausgabe
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- 2 Violins, 2 Violas and 2 Cellos
- Score
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Sopran solo, Violine 1, Violine 2, Viola, Basso continuo - Partitur; Urtextausgabe. Erstausgabe.
Sopran solo, Violine 1, Violine 2, Viola, Basso continuo - Partitur; Urtextausgabe. Erstausgabe.
- High Voice, 2 Violins, Viola and Continuo
- Score
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This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
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The richly orchestrated Missa in C K. 317 was probably one of the first church music works that Mozart composed at the beginning of 1779 as the newly appointed Salzburg court organist. With a large or...
The richly orchestrated Missa in C K. 317 was probably one of the first church music works that Mozart composed at the beginning of 1779 as the newly appointed Salzburg court organist. With a large or...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Andreas Köhs
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2. Fassung D-Dur. Gemischter Chor-SSATB - Chorpartitur
2. Fassung D-Dur. Gemischter Chor-SSATB - Chorpartitur
- Mixed Choir (SATB)
- Choral Score
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Piano reduction after the Urtext of the New Bach Edition Soprano solo, alto solo, bass solo, mixed choir-SATB, orchestra - piano reduction
Piano reduction after the Urtext of the New Bach Edition Soprano solo, alto solo, bass solo, mixed choir-SATB, orchestra - piano reduction
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
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Gemischter Chor-SATB - Chorpartitur
- Mixed Choir (SATB)
- Choral Score
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The 'Messiah' occupies a unique position in Handel's work. It is one of the most renowned works of this composer's monumental output. It has often been said that Handel composed the 'Messiah' for his...
The 'Messiah' occupies a unique position in Handel's work. It is one of the most renowned works of this composer's monumental output. It has often been said that Handel composed the 'Messiah' for his...
- Soloists (SATB), Mixed Choir (SSATB) and Orchestra
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Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
- Soloists (SSATB), Mixed Choir (SATB), Harp, 2 Violins, Viola, Cello, Double Bass and Organ
- Choral Score (Urtext)
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Vltava/Die Moldau', Smetanas bekannteste und am häufigsten aufgeführte Tondichtung, entstand im Stadium seiner vollständigen Ertaubung zwischen dem 20. November und dem 8. Dezember 1874, doch erst 187...
Vltava/Die Moldau', Smetanas bekannteste und am häufigsten aufgeführte Tondichtung, entstand im Stadium seiner vollständigen Ertaubung zwischen dem 20. November und dem 8. Dezember 1874, doch erst 187...
- Orchestra
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Arias with 1 or 2 obbligato flutes (with complete vocal part [dt/engl]). Selected parts from the Church Cantatas, from St. Matthew Passion, Mass in B minor and the Lutheran Mass in A major. - Selected...
Arias with 1 or 2 obbligato flutes (with complete vocal part [dt/engl]). Selected parts from the Church Cantatas, from St. Matthew Passion, Mass in B minor and the Lutheran Mass in A major. - Selected...
- Flute
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Arias with 1 or 2 obbligato flutes (with complete vocal part [dt/engl]). Ausgewählte Sätze aus weltlichen Kantaten, Johannes-Passion, Magnificat D-dur, Weihnachtsoratorium und dem Osteroratorium - Sel...
Arias with 1 or 2 obbligato flutes (with complete vocal part [dt/engl]). Ausgewählte Sätze aus weltlichen Kantaten, Johannes-Passion, Magnificat D-dur, Weihnachtsoratorium und dem Osteroratorium - Sel...
- Flute
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Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Pr...
Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Pr...
- Soloists, Mixed Choir and Orchestra
- Score (Urtext)
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