Bärenreiter Urtext

The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...

The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...

The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...

The volume "Lieder I" of the five-volume Urtext edition of all Antonín Dvorák's solo songs with piano accompaniment contains 31 songs - from Dvorák's first publicly performed, previously unpublished s...

After the already published early love songs "The Cypresses", the Urtext editions of all Dvorák's other songs with piano accompaniment are now forthcoming. The collection "Songs II" comprises the matu...

The Missa in B flat KV 275 was written in 1777. Following the tradition of the "Missa brevis", the movements are short, and in text-rich movements such as the "Credo", different text passages are sung...

Urtext der Neuen Schubert-Ausgabe. Sopran, Klavier - Singpartitur; Spielpartitur; Urtextausgabe

Opéra comique in 3 Akten. Klavierauszug (französisch/deutsch) nach dem Urtext der Gluck-Gesamtausgabe. Sopran solo (4), Tenor solo (3), Bass solo (3) 2 Spr, Piccolo, Flöte, Oboe (2), Englischhorn (2),...

The fact that the "opéra comique", rooted in the folk art of French vaudeville, was brought to one of its high points in Vienna by Gluck, an Italian composer from the Upper Palatinate, clearly shows t...

Drame lyrique in three acts and a prologue (1779) Libretto: Louis-Théodore Baron de Tschudi (after "Narcissos ed Eco" from Ovid's Metamorfosi) (French) Premiere: September 24, 1779, Paris, Opéra (Pala...

Opéra comique in two acts (1760) Libretto: Louis Anseaume (for Jean-Louis Laruette's opéra comique "L'ivrogne corrigé ou Le mariage du diable" of 1759; adapted by Charles Simon Favart) (French) Premie...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritu...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritu...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

Soprano solo (2), Mezzo-soprano solo, Alto solo, Bass (choral part)/ Soprano solo, Trumpet, Alto recorder In f,g (2), Oboe (2), Strings, Basso continuo - Piano reduction; Urtext edition; Complete edit...

Soprano solo (2), Mezzo-soprano solo, Alto solo, Bass (choral part)/ Soprano solo, Trumpet, Alto recorder In f,g (2), Oboe (2), Strings, Basso continuo - Piano reduction; Urtext edition; Complete edit...

Opera seria in tre atti (Italian/German). Piano reduction based on the Urtext of the Halle Handel Edition - Opera seria in tre atti (Italian/German). Vocal Score based on the Urtext of the Halle Hande...

Piano reduction based on the Urtext of the Halle Handel Edition (Italian/German). Soprano solo, Mezzo-soprano solo, Alto solo (2), Tenor solo, Bass solo, Alto recorder in f,g (2), Flute (2), Oboe (2),...

Piano reduction based on the Urtext of the Halle Handel Edition (Italian/German). Soprano solo, Mezzo-soprano solo, Alto solo (2), Tenor solo, Bass solo, Alto recorder in f,g (2), Flute (2), Oboe (2),...