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The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...
The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...
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With the radiant "Regina coeli" K. 127, the young Wolfgang Amadeus Mozart created a sacred masterpiece of unparalleled festivity and emotional depth. This magnificent work captivates with virtuosic co...
With the radiant "Regina coeli" K. 127, the young Wolfgang Amadeus Mozart created a sacred masterpiece of unparalleled festivity and emotional depth. This magnificent work captivates with virtuosic co...
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The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...
The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Pauke, Streicher, Orgel - Partitur
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Pauke, Streicher, Orgel - Partitur
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The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...
The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Fagott (2), Horn (2), Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Fagott (2), Horn (2), Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
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In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
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The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
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Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
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The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
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Urtext der Neuen Mozart-Ausgabe unter Berücksichtigung der neuentdeckten Salzburger Fassung. Sopran solo, Oboe (2)/ Flöte, Horn (2), Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe unter Berücksichtigung der neuentdeckten Salzburger Fassung. Sopran solo, Oboe (2)/ Flöte, Horn (2), Streicher, Orgel - Partitur; Urtextausgabe
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In Italy today, a Latin sacred solo cantata, which consists of two arias and two recitatives and concludes with a Hallelujah, and which is generally sung by one of the best singers after the Credo, is...
In Italy today, a Latin sacred solo cantata, which consists of two arias and two recitatives and concludes with a Hallelujah, and which is generally sung by one of the best singers after the Credo, is...
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How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text...
How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text...
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The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...
The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...
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2nd version in D major with 4 interludes of the E flat major version (transposed). Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, flute (2), obo...
2nd version in D major with 4 interludes of the E flat major version (transposed). Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, flute (2), obo...
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The "Missa in C" KV 220 with the popular nickname "Spatzenmesse" has become a firm fixture in the repertoire of many choirs to this day. As one of the most important works of church music from Mozart'...
The "Missa in C" KV 220 with the popular nickname "Spatzenmesse" has become a firm fixture in the repertoire of many choirs to this day. As one of the most important works of church music from Mozart'...
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During the last summer of his life, Franz Schubert completed the Mass in E-flat D 950. The occasion for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live...
During the last summer of his life, Franz Schubert completed the Mass in E-flat D 950. The occasion for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live...
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During the last summer of his life, Franz Schubert completed the Mass in E-flat D 950. The occasion for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live...
During the last summer of his life, Franz Schubert completed the Mass in E-flat D 950. The occasion for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live...
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During the last summer of his life, Franz Schubert completed the Mass in E-flat D 950. The occasion for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live...
During the last summer of his life, Franz Schubert completed the Mass in E-flat D 950. The occasion for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live...
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During the last summer of his life, Franz Schubert completed the Mass in E-flat D 950. The occasion for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live...
During the last summer of his life, Franz Schubert completed the Mass in E-flat D 950. The occasion for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live...
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Urtext der Neuen Schubert-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Fagott (2), Horn (2) ad lib., Trompete (2), Posaune (3) ad lib., Pauke, Streicher, Orge...
Urtext der Neuen Schubert-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Fagott (2), Horn (2) ad lib., Trompete (2), Posaune (3) ad lib., Pauke, Streicher, Orge...
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2. Fassung mit der Variante des Osanna in excelsis und der Cum Sancto Spiritu-Fuge aus der 1. Fassung. Urtext der Neuen Schubert-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-...
2. Fassung mit der Variante des Osanna in excelsis und der Cum Sancto Spiritu-Fuge aus der 1. Fassung. Urtext der Neuen Schubert-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-...
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Franz Schubert's 'Stabat Mater' D 175 is one of a number of church works that he wrote for his local congregation in Lichtental. This edition is based on the sole surviving source, the composer's auto...
Franz Schubert's 'Stabat Mater' D 175 is one of a number of church works that he wrote for his local congregation in Lichtental. This edition is based on the sole surviving source, the composer's auto...
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