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Richard Wagner
Elsa's Procession to the Cathedral from the Opera Lohengrin

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

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  • Gerard Posch
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Richard Wagner
Elsa's Procession to the Cathedral from the opera Lohengrin

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

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  • Gerard Posch
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George Gershwin

The opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of those is the lulla...

The opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of those is the lulla...

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  • Roger Niese
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George Gershwin

The opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of those is the lulla...

The opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of those is the lulla...

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  • Roger Niese
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Felix Mendelssohn Bartholdy

Felix Mendelssohn Bartholdy (1809-1847), wrote an enormous amount of music in all the forms of his day except opera; today, only a few of his works are in the concert repertory, but these are very pop...

Felix Mendelssohn Bartholdy (1809-1847), wrote an enormous amount of music in all the forms of his day except opera; today, only a few of his works are in the concert repertory, but these are very pop...

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  • Gerhart Drijvers
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Felix Mendelssohn Bartholdy

Felix Mendelssohn Bartholdy (1809-1847), wrote an enormous amount of music in all the forms of his day except opera; today, only a few of his works are in the concert repertory, but these are very pop...

Felix Mendelssohn Bartholdy (1809-1847), wrote an enormous amount of music in all the forms of his day except opera; today, only a few of his works are in the concert repertory, but these are very pop...

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  • Gerhart Drijvers
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Felix Mendelssohn Bartholdy
from Symphony No. 2 'Lobgesang'

In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...

In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...

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  • Dietmar Rainer
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Felix Mendelssohn Bartholdy
from Symphony No. 2 'Lobgesang'

In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...

In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...

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  • Dietmar Rainer
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Felix Mendelssohn Bartholdy
from Symphony No. 2 'Lobgesang'

In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...

In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...

  • Concert Band, Soloists (SS) and Mixed Choir (SATB)
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  • Dietmar Rainer
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Order no.: BTM1106SC
Felix Mendelssohn Bartholdy
from Symphony No. 2 'Lobgesang'

In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...

In 1840 Felix Mendelssohn composed his 'Lobgesang' ('Hymn of Praise'), Op. 52. It's a 13-movement 'Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra'. Decades after Mendels...

  • Concert Band, Soloists (SS) and Mixed Choir (SATB)
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  • Dietmar Rainer
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Gabriel Fauré
for Soloists, Choir and Symphonic Band

French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...

French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...

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  • Bruno Peterschmitt
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Gabriel Fauré
for Soloists, Choir and Symphonic Band

French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...

French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...

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  • Bruno Peterschmitt
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Gabriel Fauré
for Soloists, Choir and Symphonic Band

French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...

French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...

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  • Bruno Peterschmitt
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Gabriel Fauré
for Soloists, Choir and Symphonic Band

French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...

French composer Gabriel Fauré (1845-1924) composed his 'Requiem in D minor', Op. 48, between 1887 and 1890. It became the best-known compositions of his large works. In seven movements, the work is sc...

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  • Bruno Peterschmitt
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Wolfgang Amadeus Mozart

Mozart's funeral motet Ave verum corpus was composed in june 1791 for Anton Stroll, choirmaster at the spa of Baden, near Vienna. Within a tiny span the music sounds an extraordinary depth of feeling,...

Mozart's funeral motet Ave verum corpus was composed in june 1791 for Anton Stroll, choirmaster at the spa of Baden, near Vienna. Within a tiny span the music sounds an extraordinary depth of feeling,...

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  • Jos van de Braak
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Order no.: BTM261
Wolfgang Amadeus Mozart

Mozart's funeral motet Ave verum corpus was composed in june 1791 for Anton Stroll, choirmaster at the spa of Baden, near Vienna. Within a tiny span the music sounds an extraordinary depth of feeling,...

Mozart's funeral motet Ave verum corpus was composed in june 1791 for Anton Stroll, choirmaster at the spa of Baden, near Vienna. Within a tiny span the music sounds an extraordinary depth of feeling,...

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  • Jos van de Braak
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Joseph Haydn
Chorus And Trio From The Oratorio 'Die Schöpfung'

Soprano, Tenor, Bass, Choir and Concert Band 'Die Schöpfung' (The Creation) is an oratorio written between 1796 and 1798 by Joseph Haydn and considered by many to be his masterpiece. The oratorio depi...

Soprano, Tenor, Bass, Choir and Concert Band 'Die Schöpfung' (The Creation) is an oratorio written between 1796 and 1798 by Joseph Haydn and considered by many to be his masterpiece. The oratorio depi...

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  • Henk van de Weijer
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Order no.: BTM352
Joseph Haydn
Chorus And Trio From The Oratorio 'Die Schöpfung'

Soprano, Tenor, Bass, Choir and Concert Band 'Die Schöpfung' (The Creation) is an oratorio written between 1796 and 1798 by Joseph Haydn and considered by many to be his masterpiece. The oratorio depi...

Soprano, Tenor, Bass, Choir and Concert Band 'Die Schöpfung' (The Creation) is an oratorio written between 1796 and 1798 by Joseph Haydn and considered by many to be his masterpiece. The oratorio depi...

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  • Henk van de Weijer
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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...

Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...

  • Concert Band (Vocal Solo (High Voice))
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  • Jean-Louis Petit
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Order no.: BTM354
Franz Schubert
Hymne an die Jungfrau

Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...

Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...

  • Concert Band (Vocal Solo (High Voice))
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  • Jean-Louis Petit
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Franz Schubert
Hymne an die Jungfrau

Much of Schubert's songs do have a simple strophic character. These verses stand half-way between "Art-song" and "Folk-song". The melody seems to be drawn from nature. Schubert marvellously achieved t...

Much of Schubert's songs do have a simple strophic character. These verses stand half-way between "Art-song" and "Folk-song". The melody seems to be drawn from nature. Schubert marvellously achieved t...

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  • Jean-Louis Petit
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Order no.: BTM354SC
Franz Schubert
Hymne an die Jungfrau

Much of Schubert's songs do have a simple strophic character. These verses stand half-way between "Art-song" and "Folk-song". The melody seems to be drawn from nature. Schubert marvellously achieved t...

Much of Schubert's songs do have a simple strophic character. These verses stand half-way between "Art-song" and "Folk-song". The melody seems to be drawn from nature. Schubert marvellously achieved t...

  • Concert Band (Vocal Solo (High Voice))
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  • Jean-Louis Petit
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The Domine Deus from Rossini's Petite Messe Solennelle is sung by the tenor in the Gloria of the mass.

The Domine Deus from Rossini's Petite Messe Solennelle is sung by the tenor in the Gloria of the mass.

  • Concert Band (Vocal Solo (High Voice))
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  • Jos Dobbelstein
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Gioacchino Rossini
from Petite Messe Solenelle

The Domine Deus from Rossini's Petite Messe Solennelle is sung by the tenor in the Gloria of the mass.

The Domine Deus from Rossini's Petite Messe Solennelle is sung by the tenor in the Gloria of the mass.

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  • Jos Dobbelstein
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Gioacchino Rossini
from Petite Messe Solenelle

The Domine Deus from Rossini's Petite Messe Solennelle is sung by the tenor in the Gloria of the mass.

The Domine Deus from Rossini's Petite Messe Solennelle is sung by the tenor in the Gloria of the mass.

  • Concert Band (Vocal Solo (High Voice))
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  • Jos Dobbelstein
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Order no.: BTM370SC