Kalmus Orchestra Library
The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707) , an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring cere...
The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707) , an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring cere...
- Orchestra
- Score
- Clayton Westermann
- Edwin F. Kalmus
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The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707) , an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring cere...
The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707) , an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring cere...
- Orchestra
- Score and Parts
- Clayton Westermann
- Edwin F. Kalmus
-
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Written by Camille Saint-Saëns (1835-1921) in 1869, the Piano Concerto No. 3 in E-flat Major, Op. 29 follows the standard concerto form while experimenting with harmony. Premiered on November 27th, 18...
Written by Camille Saint-Saëns (1835-1921) in 1869, the Piano Concerto No. 3 in E-flat Major, Op. 29 follows the standard concerto form while experimenting with harmony. Premiered on November 27th, 18...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...
Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Richard Strauss (1864-1949) composed his Symphonia Domestica, Op. 53 (TrV 209) in 1902-1903, creating one of his most expansive and personal tone poems, a richly orchestrated portrait of a day in the...
Richard Strauss (1864-1949) composed his Symphonia Domestica, Op. 53 (TrV 209) in 1902-1903, creating one of his most expansive and personal tone poems, a richly orchestrated portrait of a day in the...
- Orchestra
- Sheet Music
- Edwin F. Kalmus
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Fatum, Op. 77 was composed in 1868 by Pyotr Ilyich Tchaikovsky (1840 - 1893) as an early symphonic poem inspired by the Romantic idea of inescapable fate, a theme that would recur throughout his later...
Fatum, Op. 77 was composed in 1868 by Pyotr Ilyich Tchaikovsky (1840 - 1893) as an early symphonic poem inspired by the Romantic idea of inescapable fate, a theme that would recur throughout his later...
- Orchestra
- Sheet Music
- Edwin F. Kalmus
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Spring Song, Op. 16 (Vårsång) was written in 1894 by Jean Sibelius (1865-1957) and was initially titled Improvisation for Orchestra. Sibelius revised the single-movement tone poem a year later and ret...
Spring Song, Op. 16 (Vårsång) was written in 1894 by Jean Sibelius (1865-1957) and was initially titled Improvisation for Orchestra. Sibelius revised the single-movement tone poem a year later and ret...
- Orchestra
- Score
- Edwin F. Kalmus
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Spring Song, Op. 16 (Vårsång) was written in 1894 by Jean Sibelius (1865-1957) and was initially titled Improvisation for Orchestra. Sibelius revised the single-movement tone poem a year later and ret...
Spring Song, Op. 16 (Vårsång) was written in 1894 by Jean Sibelius (1865-1957) and was initially titled Improvisation for Orchestra. Sibelius revised the single-movement tone poem a year later and ret...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Sergei Prokofiev (1891-1953) composed Overture on Jewish Themes (or Overture on Hebrew Themes), Op. 34, in 1919 for the uncommon combination of clarinet, string quartet, and piano, and this original v...
Sergei Prokofiev (1891-1953) composed Overture on Jewish Themes (or Overture on Hebrew Themes), Op. 34, in 1919 for the uncommon combination of clarinet, string quartet, and piano, and this original v...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Claude Debussy (1862-1918) wrote the waltz La plus que lente for solo piano in 1910, a work that may or may not have been inspired by a small sculpture on his mantelpiece. The title is meant to wryly...
Claude Debussy (1862-1918) wrote the waltz La plus que lente for solo piano in 1910, a work that may or may not have been inspired by a small sculpture on his mantelpiece. The title is meant to wryly...
- Orchestra
- Score
- Edwin F. Kalmus
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In French, the word "villanelle" implies a rustic song or dance. It was used during the 16th century to describe songs which used simple language and were of a pastoral nature. Orchestrated by Donald...
In French, the word "villanelle" implies a rustic song or dance. It was used during the 16th century to describe songs which used simple language and were of a pastoral nature. Orchestrated by Donald...
- Horn and Orchestra
- Set of Parts
- Donald Miller Clinton Nieweg
- Edwin F. Kalmus
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Written by Jean Sibelius (1865-1957) in 1913, this cryptic tone poem premiered on March 27th of that year by the Philharmonic Society Orchestra in Helsinki, under the composer's baton. Following that...
Written by Jean Sibelius (1865-1957) in 1913, this cryptic tone poem premiered on March 27th of that year by the Philharmonic Society Orchestra in Helsinki, under the composer's baton. Following that...
- Orchestra
- Score
- Edwin F. Kalmus
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Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest...
Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest...
- Violin and Orchestra
- Score
- Edwin F. Kalmus
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Despite its greater popularity now, Béla Bartók's (1881-1945) CONCERTO FOR PIANO NO. 1 was universally panned by critics after its premiere due to its harshness; the innovative use of tone clusters as...
Despite its greater popularity now, Béla Bartók's (1881-1945) CONCERTO FOR PIANO NO. 1 was universally panned by critics after its premiere due to its harshness; the innovative use of tone clusters as...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
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FESTE ROMANE (ROMAN FESTIVALS) , P 157 is a tone poem in four movements completed in 1928 by Ottorino Respighi (1879-1936) . It is the last of his three tone poems about Rome, following FOUNTAINS OF R...
FESTE ROMANE (ROMAN FESTIVALS) , P 157 is a tone poem in four movements completed in 1928 by Ottorino Respighi (1879-1936) . It is the last of his three tone poems about Rome, following FOUNTAINS OF R...
- Orchestra
- Score
- Edwin F. Kalmus
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FESTE ROMANE (ROMAN FESTIVALS) , P 157 is a tone poem in four movements completed in 1928 by Ottorino Respighi (1879-1936) . It is the last of his three tone poems about Rome, following FOUNTAINS OF R...
FESTE ROMANE (ROMAN FESTIVALS) , P 157 is a tone poem in four movements completed in 1928 by Ottorino Respighi (1879-1936) . It is the last of his three tone poems about Rome, following FOUNTAINS OF R...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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French composer Henri Rabaud (1873-1949) composed the incidental music for an adaptation of Shakespeare's THE MERCHANT OF VENICE (LE MARCHAND DE VENISE) by writer and Rabaud librettist Lucien Népoty....
French composer Henri Rabaud (1873-1949) composed the incidental music for an adaptation of Shakespeare's THE MERCHANT OF VENICE (LE MARCHAND DE VENISE) by writer and Rabaud librettist Lucien Népoty....
- Orchestra
- Score
- Edwin F. Kalmus
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French composer Henri Rabaud (1873-1949) composed the incidental music for an adaptation of Shakespeare's THE MERCHANT OF VENICE (LE MARCHAND DE VENISE) by writer and Rabaud librettist Lucien Népoty....
French composer Henri Rabaud (1873-1949) composed the incidental music for an adaptation of Shakespeare's THE MERCHANT OF VENICE (LE MARCHAND DE VENISE) by writer and Rabaud librettist Lucien Népoty....
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Franz Joseph Haydn (1732-1809) composed his CONCERTO FOR TRUMPET in E-flat, Hob.VIIe: 1 for the trumpet virtuoso Anton Weidinger. Weidinger was dissatisfied with the limited range of the "natural trum...
Franz Joseph Haydn (1732-1809) composed his CONCERTO FOR TRUMPET in E-flat, Hob.VIIe: 1 for the trumpet virtuoso Anton Weidinger. Weidinger was dissatisfied with the limited range of the "natural trum...
- Trumpet and Orchestra
- Score
- Hans Ferdinand Redlich
- Edwin F. Kalmus
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Franz Joseph Haydn (1732-1809) composed his CONCERTO FOR TRUMPET in E-flat, Hob.VIIe: 1 for the trumpet virtuoso Anton Weidinger. Weidinger was dissatisfied with the limited range of the "natural trum...
Franz Joseph Haydn (1732-1809) composed his CONCERTO FOR TRUMPET in E-flat, Hob.VIIe: 1 for the trumpet virtuoso Anton Weidinger. Weidinger was dissatisfied with the limited range of the "natural trum...
- Trumpet and Orchestra
- Score and Parts
- Hans Ferdinand Redlich
- Edwin F. Kalmus
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The GROSSE FUGE (Great Fugue) remains the most controversial work by Ludwig van Beethoven (1770-1827), with it considered incomprehensible by his contemporaries, though the critical opinion of the wor...
The GROSSE FUGE (Great Fugue) remains the most controversial work by Ludwig van Beethoven (1770-1827), with it considered incomprehensible by his contemporaries, though the critical opinion of the wor...
- String Orchestra
- Director's Score
- Felix Weingartner
- Edwin F. Kalmus
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The GROSSE FUGE (Great Fugue) remains the most controversial work by Ludwig van Beethoven (1770-1827), with it considered incomprehensible by his contemporaries, though the critical opinion of the wor...
The GROSSE FUGE (Great Fugue) remains the most controversial work by Ludwig van Beethoven (1770-1827), with it considered incomprehensible by his contemporaries, though the critical opinion of the wor...
- String Orchestra
- Score and Parts
- Felix Von Weingartner
- Edwin F. Kalmus
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Sir Edward Elgar's Introduction and Allegro for Strings, Op. 47, was composed in 1905 for performance in an all-Elgar concert by the newly formed London Symphony Orchestra. Scored for string quartet a...
Sir Edward Elgar's Introduction and Allegro for Strings, Op. 47, was composed in 1905 for performance in an all-Elgar concert by the newly formed London Symphony Orchestra. Scored for string quartet a...
- String Orchestra
- Set of Parts
- Edwin F. Kalmus
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Edvard Grieg (1843-1907) composed his Two Norwegian Airs (Two Nordic Melodies; Zwei Nordische Weisen), Op. 63 in 1895. The first movement, an at-times melancholy and warm orchestration called I folket...
Edvard Grieg (1843-1907) composed his Two Norwegian Airs (Two Nordic Melodies; Zwei Nordische Weisen), Op. 63 in 1895. The first movement, an at-times melancholy and warm orchestration called I folket...
- String Orchestra
- Score and Parts
- Edwin F. Kalmus
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George Frideric Handel's (1685-1759) Concerti Grossi, Op. 6 (also Twelve Grand Concertos, HWV 319-330) , are a collection of twelve concerti grossi for two violins and cello with an accompanying four-...
George Frideric Handel's (1685-1759) Concerti Grossi, Op. 6 (also Twelve Grand Concertos, HWV 319-330) , are a collection of twelve concerti grossi for two violins and cello with an accompanying four-...
- 2 Violins, Cello and String Orchestra
- Score and Parts
- Wilhelm Weismann
- Edwin F. Kalmus
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