Advanced Blues Sheet Music

We're proud to present MI instructor Peter Deneff's fourth book in the Musicians Institute Hanon series. In this private lesson for beginning to professional blues pianists, Deneff covers: major and m...

Ben Crosland's Jazz Beans series, is the reincarnation of "Get Set Jazz", with the addition of new works, fingering, re-edited to perfection by Editions Musica Ferrum, and with added artwork. Jazz Bea...

Honky Tonk Train composed by Meade 'Lux' Lewis, a descriptive piano novelty, arranged for piano solo.

Final Exam Blues is an intermediate level piece for Piano solo by Jane Bastien.

This quirky, spirited piece is in the style of a blues waltz and based on the mythical legend of the squonk, a forest creature that dissolves into a pool of tears when it is cornered. However, on dark...

This blues was written for the American Jazz-clarinetist Eddy Daniels.

Balkan Blues is music from the musical Bergets Hjärta (the Heart of the Mountain), which was a cooperative production between Norrbotten Big Band and Norrbottens Teatern, 1997 in Luleå in the north of...

50 Blues für Querflöte tiefe Lage, Oboe (C-Instrumente), mit Playalong-CD

50 Blues für Querflöte hohe Lage oder Altblockflöte mit Playalong-CD

Commissioned by the International Geneva Music Competition as the required piece for its 54th competition in 1998, the work consists of three parts that are played without breaks. A motif of fifths an...

Commissioned by the International Geneva Music Competition as the required piece for its 54th competition in 1998, the work consists of three parts that are played without breaks. A motif of fifths an...

Commissioned by the International Geneva Music Competition as the required piece for its 54th competition in 1998, the work consists of three parts that are played without breaks. A motif of fifths an...

Lovesick Blues by Jamie Cullum, the artist approved sheet music from his seventh studio album, Interlude. Arranged for piano and voice with guitar chords and available to print instantly at home in di...

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...

Written by Duke Ellington and originally entitled Concerto for Cootie, Do Nothing Till You Hear From Me has been covered by all of the great vocalists including Ella and Sinatra. This version has been...

This blues is a great introduction to second line for a high school big band. It alternates between a New Orleans groove and swing. The melody is a simple riff blues, but the regular blues chords have...

Medium Swing Blues. The tune begins with an open C Blues section for piano or guitar a la the Basie Band. The melody has been harmonized with a number of substitutions rather than the standard blues h...

Bright boogaloo straight 1/8th. (Lusaka is the capital city of Zambia) This is feature for Alto and Baritone sax. The solo sections are centered around G7sus (concert) and Bb7. It can get as funky as...

This chart is uptempo Bb blues with bridge (though needn't be as uptempo as Rob Parton took it!) Written for the Illinois All-State Jazz Band and played by all its District Jazz Bands, too. As recorde...

One of Frank Foster's more ambitious charts in the context of the so-called 'Basie Tradition,' Major Butts is really just another medium up-tempo 12 bar blues, but with the added twist of an 'I Got Rh...

An exciting bop over a minor blues form featuring solis for the saxophone, trombone and trumpet sections. The sections also trade back and forth. There is solo space for players in each section throug...

As recorded on John Daversa's 'Live at Catalina's', this chart is a swingy, bluesy tune built on a bass line groove in 7/4. There are solos in the guitar and alto saxophone before a trumpet solo begin...

Recorded on the John Fedchock New York Big Band's CD No Nonsense, Blue After Two is a slow blues, with subtle sophisticated harmonies placed over an after-hours roadhouse 12/8 groove. After the subtle...