Advanced Sheet Music from Baton Music
Sergey Ivanovich Taneyev (1856-1915) was a star pupil at the Moscow Conservatory, winning the first time its gold medal in performance and composition. Tanayev was a classicist in a Romantic age. His...
Sergey Ivanovich Taneyev (1856-1915) was a star pupil at the Moscow Conservatory, winning the first time its gold medal in performance and composition. Tanayev was a classicist in a Romantic age. His...
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- Frank Adams
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The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...
The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...
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The Prelude and Fugue from The Spitfire (1942) by William Walton had its origin in music for the film The first of the few, a tribute to R.J.Mitchell, designer of the Spitfire, by Leslie Howard .The s...
The Prelude and Fugue from The Spitfire (1942) by William Walton had its origin in music for the film The first of the few, a tribute to R.J.Mitchell, designer of the Spitfire, by Leslie Howard .The s...
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The Prelude and Fugue from The Spitfire (1942) by William Walton had its origin in music for the film The first of the few, a tribute to R.J.Mitchell, designer of the Spitfire, by Leslie Howard .The s...
The Prelude and Fugue from The Spitfire (1942) by William Walton had its origin in music for the film The first of the few, a tribute to R.J.Mitchell, designer of the Spitfire, by Leslie Howard .The s...
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- Gerhart Drijvers
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The famous Adagietto is the fourth part of Mahler's Symphony nr. 5 and the tempo is 'sehr Langsam'. Only strings and harp are playing and the long upbeats and expressive appogiaturas of the very slow...
The famous Adagietto is the fourth part of Mahler's Symphony nr. 5 and the tempo is 'sehr Langsam'. Only strings and harp are playing and the long upbeats and expressive appogiaturas of the very slow...
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- Christiaan Janssen
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The famous Adagietto is the fourth part of Mahler's Symphony nr. 5 and the tempo is 'sehr Langsam'. Only strings and harp are playing and the long upbeats and expressive appogiaturas of the very slow...
The famous Adagietto is the fourth part of Mahler's Symphony nr. 5 and the tempo is 'sehr Langsam'. Only strings and harp are playing and the long upbeats and expressive appogiaturas of the very slow...
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The Russian composer Nicolai Rimsky-Korsakov (1844-1908) finished his opera The Tsar's Bride in 1899. This opera is a lurid melodrama set in the time of Ivan the Terrible, though this might hardly be...
The Russian composer Nicolai Rimsky-Korsakov (1844-1908) finished his opera The Tsar's Bride in 1899. This opera is a lurid melodrama set in the time of Ivan the Terrible, though this might hardly be...
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- Egbert van Groningen
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The Russian composer Nicolai Rimsky-Korsakov (1844-1908) finished his opera The Tsar's Bride in 1899. This opera is a lurid melodrama set in the time of Ivan the Terrible, though this might hardly be...
The Russian composer Nicolai Rimsky-Korsakov (1844-1908) finished his opera The Tsar's Bride in 1899. This opera is a lurid melodrama set in the time of Ivan the Terrible, though this might hardly be...
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After conquering England by triumphal performances of Der Freischütz at Covent Garden von Weber was sent a commission by the manager of The Royal Opera House Covent Garden that resulted in his new ope...
After conquering England by triumphal performances of Der Freischütz at Covent Garden von Weber was sent a commission by the manager of The Royal Opera House Covent Garden that resulted in his new ope...
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After conquering England by triumphal performances of Der Freischütz at Covent Garden von Weber was sent a commission by the manager of The Royal Opera House Covent Garden that resulted in his new ope...
After conquering England by triumphal performances of Der Freischütz at Covent Garden von Weber was sent a commission by the manager of The Royal Opera House Covent Garden that resulted in his new ope...
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The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...
The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...
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The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...
The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...
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Francis Poulenc wrote the Sonata for Flute December 1956 and it is dedicated to the American patroness of the arts, Elisabeth Sprague Coolidge. The first performance was given by Jean-Pierre Rampal ac...
Francis Poulenc wrote the Sonata for Flute December 1956 and it is dedicated to the American patroness of the arts, Elisabeth Sprague Coolidge. The first performance was given by Jean-Pierre Rampal ac...
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Francis Poulenc wrote the Sonata for Flute December 1956 and it is dedicated to the American patroness of the arts, Elisabeth Sprague Coolidge. The first performance was given by Jean-Pierre Rampal ac...
Francis Poulenc wrote the Sonata for Flute December 1956 and it is dedicated to the American patroness of the arts, Elisabeth Sprague Coolidge. The first performance was given by Jean-Pierre Rampal ac...
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Debussy's Prelude a l'apres-midi d'un faune was inspired by the poem The Afternoon of a Faune by Stephane Mallarme, and later formed the basis for a ballet choreographed by Vaslav Nijinsky. It is one...
Debussy's Prelude a l'apres-midi d'un faune was inspired by the poem The Afternoon of a Faune by Stephane Mallarme, and later formed the basis for a ballet choreographed by Vaslav Nijinsky. It is one...
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Debussy's Prelude a l'apres-midi d'un faune was inspired by the poem The Afternoon of a Faune by Stephane Mallarme, and later formed the basis for a ballet choreographed by Vaslav Nijinsky. It is one...
Debussy's Prelude a l'apres-midi d'un faune was inspired by the poem The Afternoon of a Faune by Stephane Mallarme, and later formed the basis for a ballet choreographed by Vaslav Nijinsky. It is one...
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The fourth movement (Finale) of Pyotr Ilych Tschaikowsky's fifth symphony, beginning and ending as a triumphal march, might be thought to represent the victory of the will, since the fate theme of the...
The fourth movement (Finale) of Pyotr Ilych Tschaikowsky's fifth symphony, beginning and ending as a triumphal march, might be thought to represent the victory of the will, since the fate theme of the...
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Tschaikovsky composed his Solo Concerto for Violin and Orchestra in the spring of 1878. The work does have a rocky beginning, somewhat like that of his first Piano Concerto. The premiere was both some...
Tschaikovsky composed his Solo Concerto for Violin and Orchestra in the spring of 1878. The work does have a rocky beginning, somewhat like that of his first Piano Concerto. The premiere was both some...
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Tschaikovsky composed his Solo Concerto for Violin and Orchestra in the spring of 1878. The work does have a rocky beginning, somewhat like that of his first Piano Concerto. The premiere was both some...
Tschaikovsky composed his Solo Concerto for Violin and Orchestra in the spring of 1878. The work does have a rocky beginning, somewhat like that of his first Piano Concerto. The premiere was both some...
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The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. The...
The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. The...
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The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. The...
The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. The...
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
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- Marco Tamanini
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
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- Marco Tamanini
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The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...
The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...
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- José Schyns
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The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...
The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...
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- José Schyns
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