Barbershop Sheet Music for Mixed Voices

A collection of the most beautiful international evening songs and lullabies in atmospheric arrangements for mixed choir (SATB). Apart from classical pieces in German, the present new and modern arran...

The three-minute composition is described by the composer as a ''ritual rondo''. The Inuit folk text, collected by Franz Boas (1858-1942), appears in the work as a musical layer, creating a kind of co...

Máté Balogh's Papuan Lunch is the third work in the composer's triptych for mixed choir based on exotic texts, following Zulu Nights and Arctic Dawn. While the Zulu- and Eskimo-language pieces tell di...

Tenebrae Responsoria, Feria Quinta (Responsories for Maundy Thursday) is a cycle of nine choral works commissioned by the Cantemus Mixed Choir of Nyíregyháza and its conductor, Soma Szabó. Each moveme...

Tenebrae Responsoria, Feria Sexta (Responsories for Good Friday) is a cycle of nine choral works commissioned by the Cantemus Choir of Nyíregyháza and its conductor, Soma Szabó. Each movement may also...

Tenebrae Responsoria, Feria Sexta (Responsories for Good Friday) is a cycle of nine choral works commissioned by the Cantemus Choir of Nyíregyháza and its conductor, Soma Szabó. Each movement may also...

This setting of the first verse of Psalm 145 was commissioned by two US conductors, James Rodde (Iowa State Singers) and Richard Bjella (San Antonio Chamber Choir). It was composed in 2024. The struct...

The composer, choirmaster, musicologist and music educator Lajos Bárdos was born on the 1st of October 1899 in Budapest and studied composition with Zoltán Kodály at the Music Academy in Budapest. As...

Solidaires, for choir, is a work by Swiss composer Jean-François Michel based on a text by Pierre Savary, which celebrates the values of mutual aid and fraternity with simplicity and strength. Through...

Solidaires, for choir, is a work by Swiss composer Jean-François Michel based on a text by Pierre Savary, which celebrates the values of mutual aid and fraternity with simplicity and strength. Through...

I composed "Thank You" in the 1990s for a gospel/jazz quintet from northern France, of which I was the artistic director and a member. At the time, we were looking for an encore to close the concert t...

I composed "Thank You" in the 1990s for a gospel/jazz quintet from northern France, of which I was the artistic director and a member. At the time, we were looking for an encore to close the concert t...

Jean-François Bulart’s *Kyrie* is a choral work characterized by simplicity, depth, and spirituality. Drawing on the traditional liturgical text, the composer offers a musical interpretation that is b...

Jean-François Bulart’s *Kyrie* is a choral work characterized by simplicity, depth, and spirituality. Drawing on the traditional liturgical text, the composer offers a musical interpretation that is b...

Just as *Thank You* (EMR 99095)—which was composed specifically to conclude the program of a SATB vocal quartet—was created, *Be My Friend* was composed to open it. The work begins with the alto enter...

Just as *Thank You* (EMR 99095)—which was composed specifically to conclude the program of a SATB vocal quartet—was created, *Be My Friend* was composed to open it. The work begins with the alto enter...

This piece for a cappella choir (SSATBB) makes the metronome both the subject and the game: the needle that swings from one side to the other without hesitation, until the "stop!"—which must be restar...

This piece for a cappella choir (SSATBB) makes the metronome both the subject and the game: the needle that swings from one side to the other without hesitation, until the "stop!"—which must be restar...

This *Ave Maria* for a cappella choir (SATB) sets the traditional Marian prayer in Latin to music—one of the most popular texts in the sacred repertoire. Written in a largely homophonic, warm, and acc...

This *Ave Maria* for a cappella choir (SATB) sets the traditional Marian prayer in Latin to music—one of the most popular texts in the sacred repertoire. Written in a largely homophonic, warm, and acc...

I composed Omnia mutantur in the spring of 2020, when all performances of my other works were cancelled due to the covid pandemic and normal life came to a halt. This was intended to be a compulsory p...