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für 15-stimmigen Chor a cappella (SSSSAAAATTTBBBB)
für 15-stimmigen Chor a cappella (SSSSAAAATTTBBBB)
- Mixed Choir (SSSSAAAATTTBBBB)
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- Mixed Choir
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- Women's Choir (SSA)
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- Heinrich Cassimir
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- Mixed Choir (SATB) and Piano
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Arranged for soli, choir and organ. Soprano solo 1, Soprano solo 2, gemCh SATB, Organ - Score
Arranged for soli, choir and organ. Soprano solo 1, Soprano solo 2, gemCh SATB, Organ - Score
- Soloists, Mixed Choir (SATB) and Organ
- Organ Reduction Download
- Andreas Köhs
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Traummechanik for drums and piano (1967), approx. 13 minutes. BA 6144; world premiere in 1968, Hanover, Days of New Music: Siegfried Fink, Peter Roggenkamp
Traummechanik for drums and piano (1967), approx. 13 minutes. BA 6144; world premiere in 1968, Hanover, Days of New Music: Siegfried Fink, Peter Roggenkamp
- Drums and Piano
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In 1903, Satie composed his famous four-hand piano cycle with the provocative and ambiguous title "3 Morceaux en forme de Poire" ("poire" can mean "pear" in French, but also "fool"), a distanced and i...
In 1903, Satie composed his famous four-hand piano cycle with the provocative and ambiguous title "3 Morceaux en forme de Poire" ("poire" can mean "pear" in French, but also "fool"), a distanced and i...
- Piano 4 Hands
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The composer, piano virtuoso and singer Marianna Martines (1744-1812), daughter of the master of ceremonies of the apostolic nuncio in Vienna, Nicolò Martines, was significantly supported by Pietro Me...
The composer, piano virtuoso and singer Marianna Martines (1744-1812), daughter of the master of ceremonies of the apostolic nuncio in Vienna, Nicolò Martines, was significantly supported by Pietro Me...
- Harpsichord
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- Organ
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- Organ
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- Organ
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- Organ
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- High Voice, Alto Flute, Vibraphone, Cello and Piano
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- Clarinet and Audio Tape
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Solo clarinet, solo vibraphone 1st instrumental group: V, bassoon, trumpet 2nd instrumental group: viola, euphonium, trombone 3rd instrumental group: cello, alto flute, tenor saxophone 4. Instrumental...
Solo clarinet, solo vibraphone 1st instrumental group: V, bassoon, trumpet 2nd instrumental group: viola, euphonium, trombone 3rd instrumental group: cello, alto flute, tenor saxophone 4. Instrumental...
- Ensemble
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Instrumentation: 1 (Picc, BFl), 2 (2. also Eh), 0, 1, Kfag - 2, 0, 0, 0 - Str (6, 5, 4, 3, 2; Kbs five-string)/12 minutes Premiere on April 25, 1999 in Basel, Stadtcasino Basel: Kammerorchester Basel,...
Instrumentation: 1 (Picc, BFl), 2 (2. also Eh), 0, 1, Kfag - 2, 0, 0, 0 - Str (6, 5, 4, 3, 2; Kbs five-string)/12 minutes Premiere on April 25, 1999 in Basel, Stadtcasino Basel: Kammerorchester Basel,...
- Chamber Orchestra
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- Clarinet, Harp and Strings
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Suk’s Rural Serenade for Piano is a work from the composer’s youth. Suk returned to it in the final months of his life and arranged it for a small instrumental ensemble (two clarinets, three violins,...
Suk’s Rural Serenade for Piano is a work from the composer’s youth. Suk returned to it in the final months of his life and arranged it for a small instrumental ensemble (two clarinets, three violins,...
- 2 Clarinets and Strings
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- Josef Suk
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- Mixed Choir (SATB)
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- Mixed Choir (SATB)
- Vocal Score Download
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- Mixed Choir (SATB)
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Guido Adler’s 1885 essay "Scope, Method, and Aims of Musicology" is arguably the most influential founding document of musicology as a university discipline. But even before Adler—and especially after...
Guido Adler’s 1885 essay "Scope, Method, and Aims of Musicology" is arguably the most influential founding document of musicology as a university discipline. But even before Adler—and especially after...
- Literature
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This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
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Georg Philipp Telemann composed thirty-six fantasias for solo instrument: twelve each for transverse flute, violin and viola da gamba. The fantasias for flute and violin are among Telemann's most popu...
Georg Philipp Telemann composed thirty-six fantasias for solo instrument: twelve each for transverse flute, violin and viola da gamba. The fantasias for flute and violin are among Telemann's most popu...
- Flute
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- Leona Rötzsch
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