Baroque Sheet Music: Explore the Classics of a Golden Era

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, Thomas cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part choral...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, Thomas cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part choral...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

Bring pure vocal brilliance to your repertoire with Johann Sebastian Bach's festive motet "Lobet den Herrn, alle Heiden" (BWV 230). Setting Psalm 117 with incomparable polyphonic mastery and culminati...

Entstehungsjahr unbekannt - Coro SATB [4 Instr], Bc

Entstehungsjahr unbekannt

Entstehungsjahr unbekannt

Probably following a special Leipzig tradition, Bach added four extra movements to the first version of his Magnificat BWV 243a (in E flat major); these can be inserted in performances of the Magnific...

In good time for the Reformation anniversary year 2017, this edition offers four distinctive movements from Johann Sebastian Bach's Reformation cantatas in arrangements for choir and organ. From the c...

Soli SSTB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

Soli SSTB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

Mit nicht einmal 20 Lebensjahren entzog sich der jüngste Sohn des Leipziger Thomaskantors Johann Sebastian Bach der lutherisch geprägten Musiktradition seiner Familie: Johann Christian Bach (1735-1782...

Open the festive Advent season with resounding splendour: The Cantata for the 1st Advent "Machet die Tore weit" (TVWV 1:1074) by Georg Philipp Telemann is a radiant jewel of Baroque sacred music and w...

Kantate zu Mariae Reinigung. Soli TB, Coro SATB, 2 Vl, Va, Bc

Der 1757 in Hamburg entstandene Kantatenzyklus Die Tageszeiten gehört zu den herausragenden Spätwerken Georg Philipp Telemanns. Eine Symphonie und vier Kantaten (jeweils Arie, Accompagnato, Arie, Chor...

The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in clos...