Baroque Sheet Music: Explore the Classics of a Golden Era

Johann Melchior Molter's Concerto (MWV IV, 12), newly arranged by Colette Mourey, combines baroque liveliness with a subtle contemporary sensibility in a fascinating way. Molter, a German composer of...

Johann Melchior Molter's Concerto (MWV IV, 12), newly arranged by Colette Mourey, combines baroque liveliness with a subtle contemporary sensibility in a fascinating way. Molter, a German composer of...

The Suite No. 2 (BWV 1067) by Johann Sebastian Bach is one of the most important works of the Baroque repertoire and combines elegance, virtuosity and fine contrapuntal artistry. Written in Leipzig, i...

The Suite No. 2 (BWV 1067) by Johann Sebastian Bach is one of the most important works of the Baroque repertoire and combines elegance, virtuosity and fine contrapuntal artistry. Written in Leipzig, i...

The Concerto (IRM3) by Richard Mudge is a fascinating testimony to the elegant and expressive style of the 18th century English composer. With a clear and balanced writing style, Mudge unfolds a lumin...

The Concerto (IRM3) by Richard Mudge is a fascinating testimony to the elegant and expressive style of the 18th century English composer. With a clear and balanced writing style, Mudge unfolds a lumin...

Sonata "La Caprara" (op. 35, no. 10) by Maurizio Cazzati fully embodies the elegance and clarity of the Italian Baroque style of the 17th century. This sonata demonstrates the composer's fine melodic...

Sonata "La Caprara" (op. 35, no. 10) by Maurizio Cazzati fully embodies the elegance and clarity of the Italian Baroque style of the 17th century. This sonata demonstrates the composer's fine melodic...

The concerto by Giuseppe Romanino, a composer of great musical sensitivity, reveals the full expressive richness of the late Italian Baroque style. This radiant and carefully constructed work combines...

The concerto by Giuseppe Romanino, a composer of great musical sensitivity, reveals the full expressive richness of the late Italian Baroque style. This radiant and carefully constructed work combines...

Antonio Vivaldi's Concerto RV 230, Op. 3, arranged by Colette Mourey, demonstrates the fullness and virtuosity of the Italian Baroque style. A true masterpiece of contrasts and energy, it captivates w...

Antonio Vivaldi's Concerto RV 230, Op. 3, arranged by Colette Mourey, demonstrates the fullness and virtuosity of the Italian Baroque style. A true masterpiece of contrasts and energy, it captivates w...

Instruments: 1 Solo Bassoon - Difficuly Level: Grade 2 - Duration: 1 mn 30 s - Musical Style: Classical, Educational - Category: Arrangement, Republished Master Piece - Composer: Marc Antoine CHARPENT...

Instruments: 1 Solo Bassoon - Difficuly Level: Grade 3 - Duration: 4 mn 25 s - Musical Style: Classical, Educational - Category: Arrangement, Republished Master Piece - Composer: Johann Sebastian BACH...

Georg Philipp Telemann (1681 - 1767) originally composed the Sonata in e minor for viola da gamba and basso continuo. The solo part is also well suitable to be played with bassoon or violoncello. This...

SONATA IN G MINOR, Op. 26, No. 5 was composed by French Baroque composer Joseph Bodin de Boismortier (1689-1755). Written for bassoon or violoncello and piano, Boismortier had flexible instrumentation...

Adapted from Six Suites for Violoncello, this selection arranged for unaccompanied bassoon solo at the advanced level contains the first five suites.

Attractive and very concerto for Bassoon with either piano or strings. The five Concertos of Henry Hargrave were published in 1760 or 1765 and were available to customers in London, Grantham and Cambr...

Attractive and very concerto for Bassoon with either piano or strings. The five Concertos of Henry Hargrave were published in 1760 or 1765 and were available to customers in London, Grantham and Cambr...

The opening Chorus from Bach's Cantata № 10: "Meine Seel erhebt den Herren". This arrangement requires four bassoons and either a soprano/mezzo, or a choir singing in unison (upper voices only). In 1...

The opening Chorus from Bach's Cantata № 10: "Meine Seel erhebt den Herren". This arrangement requires four bassoons and either a soprano/mezzo, or a choir singing in unison (upper voices only). In 1...

Happiness is - a bassoon quartet! Scored for 3 bassoons plus contra. Series: Crooks Anonymous