Breitkopf & Hartel Urtext
For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.
For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.
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Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
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Little is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en...
Little is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en...
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Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. 'The Heavenly Life,' a humoresque composed in 1892 for soprano and piano, which he already...
Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. 'The Heavenly Life,' a humoresque composed in 1892 for soprano and piano, which he already...
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Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...
Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...
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Joachim Raff's Fifth Symphony "Lenore" op. 177, composed in 1872, reveals the composer as a representative of the middle ground between Neo-German aesthetics and the symphonic tradition. It owes its n...
Joachim Raff's Fifth Symphony "Lenore" op. 177, composed in 1872, reveals the composer as a representative of the middle ground between Neo-German aesthetics and the symphonic tradition. It owes its n...
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Strauss had originally intended that Don Quixote always be performed, if possible, together with Heldenleben, “since Don Q. in particular is only fully comprehensible alongside Heldenleben.” To date,...
Strauss had originally intended that Don Quixote always be performed, if possible, together with Heldenleben, “since Don Q. in particular is only fully comprehensible alongside Heldenleben.” To date,...
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The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
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“The Blue Danube“ is said to be Austria’s secret anthem, and alongside the “Radetzky March” it is the traditional encore piece at the annual New Year's Concert of the Vienna Philharmonic Orchestra. Al...
“The Blue Danube“ is said to be Austria’s secret anthem, and alongside the “Radetzky March” it is the traditional encore piece at the annual New Year's Concert of the Vienna Philharmonic Orchestra. Al...
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Johann Strauß Sohn revolutionized the Viennese waltz in the 19th century and made it popular all over the world. His works, such as the famous waltzes "The Beautiful Blue Danube" op. 314 and "Tales fr...
Johann Strauß Sohn revolutionized the Viennese waltz in the 19th century and made it popular all over the world. His works, such as the famous waltzes "The Beautiful Blue Danube" op. 314 and "Tales fr...
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Orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern: The two captivating quartets are now available as Urtext editions. With his first String Quartet in D minor, op....
Orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern: The two captivating quartets are now available as Urtext editions. With his first String Quartet in D minor, op....
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Orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern: The two captivating quartets are now available as Urtext editions. With his first String Quartet in D minor, op....
Orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern: The two captivating quartets are now available as Urtext editions. With his first String Quartet in D minor, op....
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In view of Mendelssohn's strong revising obsession, the quintets pose some challenges to the editor: in the A-major quintet, after he replaced an inner movement and switched the order of the movements...
In view of Mendelssohn's strong revising obsession, the quintets pose some challenges to the editor: in the A-major quintet, after he replaced an inner movement and switched the order of the movements...
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Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
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Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
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Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
Some eighteen years elapsed between Raff’s first counted String Quartet op. 77 and his Quartets Nos. 6–8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet com...
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These Impromptus are arrangements of the impromptus for piano from op. 5. The exact date for arranging the piano impromptus for string orchestra is presently not known, but it took place approximately...
These Impromptus are arrangements of the impromptus for piano from op. 5. The exact date for arranging the piano impromptus for string orchestra is presently not known, but it took place approximately...
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Exactly 300 years after Bach completed his unique cosmos of the Sei Solo á Violino senza Basso accompagnato, Kolja Lessing is presenting a collection, rich in discovery, of also 6 solo violin works in...
Exactly 300 years after Bach completed his unique cosmos of the Sei Solo á Violino senza Basso accompagnato, Kolja Lessing is presenting a collection, rich in discovery, of also 6 solo violin works in...
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Hasslers Liedsammlung 'Lustgarten Neuer Teutscher Gesäng' (1601) war so beliebt, dass sie um 1640 vollständig für Tasteninstrumente eingerichtet wurde. Martin Böcker hat für den Erstdruck 25 wirkungsv...
Hasslers Liedsammlung 'Lustgarten Neuer Teutscher Gesäng' (1601) war so beliebt, dass sie um 1640 vollständig für Tasteninstrumente eingerichtet wurde. Martin Böcker hat für den Erstdruck 25 wirkungsv...
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In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
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In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
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Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
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Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
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In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this b...
In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this b...
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