Breitkopf & Hartel Urtext
Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
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In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this b...
In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this b...
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Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements b...
Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements b...
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Volume 6 contains the three collections that Bach himself took to the printer: the Dritter Teil der Clavier-Übung was published in 1739; the Sechs Choräle von verschiedener Art ('Schübler-Choräle') an...
Volume 6 contains the three collections that Bach himself took to the printer: the Dritter Teil der Clavier-Übung was published in 1739; the Sechs Choräle von verschiedener Art ('Schübler-Choräle') an...
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The basic repertoire of the 45 choral preludes of the Orgelbüchlein is hard to get by for any organist. Edited by Sven Hiemke, the volume offers the best possible prerequisites for everyday use. The m...
The basic repertoire of the 45 choral preludes of the Orgelbüchlein is hard to get by for any organist. Edited by Sven Hiemke, the volume offers the best possible prerequisites for everyday use. The m...
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Volume 8 presents the work group called the 'Leipziger Choräle.' Next to the late versions compiled and entered by Bach himself in the manuscript 'P 271', all of the early versions with their sometime...
Volume 8 presents the work group called the 'Leipziger Choräle.' Next to the late versions compiled and entered by Bach himself in the manuscript 'P 271', all of the early versions with their sometime...
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The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
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The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
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Wihin the extensive œuvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had...
Wihin the extensive œuvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had...
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This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free...
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free...
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Vermutlich hat sich Bach von der Begeisterung seines Hamburger Freundes Telemann für die 'Flûte traversière', die barocke Querflöte, anstecken lassen, denn er komponierte eine ganze Reihe Kammermusik...
Vermutlich hat sich Bach von der Begeisterung seines Hamburger Freundes Telemann für die 'Flûte traversière', die barocke Querflöte, anstecken lassen, denn er komponierte eine ganze Reihe Kammermusik...
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Tone poem - Urtext edited by Nick Pfefferkorn. Picc.3.4(4.Eh).Eb-Klar.2.B-Klar.3.Kfg - 8.5.3.T-Tuba.Bb-Tuba - 2Hfe - Pk - Schl - Str First Urtext edition since the first edition. Evaluation of all ava...
Tone poem - Urtext edited by Nick Pfefferkorn. Picc.3.4(4.Eh).Eb-Klar.2.B-Klar.3.Kfg - 8.5.3.T-Tuba.Bb-Tuba - 2Hfe - Pk - Schl - Str First Urtext edition since the first edition. Evaluation of all ava...
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One-hour children's opera with onomatopoeic elements (animal noises). New Urtext edition based on the first prints and autograph sources. Soli: SSSS[S]MezMez[MezMezMez-A]AATTBar[Bar]B[B] - Choir: SSAA...
One-hour children's opera with onomatopoeic elements (animal noises). New Urtext edition based on the first prints and autograph sources. Soli: SSSS[S]MezMez[MezMezMez-A]AATTBar[Bar]B[B] - Choir: SSAA...
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Früh komponiert, spät orchestriert Der Zyklus wurde 1928, mehr als zwanzig Jahre nach der Komposition der einzelnen Lieder, zusammengestellt. Alban Berg wählte aus der großen Zahl der Klavierlieder, d...
Früh komponiert, spät orchestriert Der Zyklus wurde 1928, mehr als zwanzig Jahre nach der Komposition der einzelnen Lieder, zusammengestellt. Alban Berg wählte aus der großen Zahl der Klavierlieder, d...
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Mit dem 'Libera me' endlich vollständig Das 1787 entstandene Requiem von Domenico Cimarosa wurde durch Abschriften rasch vielerorts bekannt und ist bis heute ein Repertoirewerk der klassischen Kirchen...
Mit dem 'Libera me' endlich vollständig Das 1787 entstandene Requiem von Domenico Cimarosa wurde durch Abschriften rasch vielerorts bekannt und ist bis heute ein Repertoirewerk der klassischen Kirchen...
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The 40 exercises were written in 1833 as part of the Violoncell School op. 126. For the edition, Tobias Bonz divided the material into two booklets: The 24 scales through two octaves in booklet 1 brie...
The 40 exercises were written in 1833 as part of the Violoncell School op. 126. For the edition, Tobias Bonz divided the material into two booklets: The 24 scales through two octaves in booklet 1 brie...
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The 40 exercises were written in 1833 as part of the Violoncell School op. 126. For the edition, Tobias Bonz divided the material into two booklets: The 24 scales through two octaves in booklet 1 brie...
The 40 exercises were written in 1833 as part of the Violoncell School op. 126. For the edition, Tobias Bonz divided the material into two booklets: The 24 scales through two octaves in booklet 1 brie...
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The 40 exercises were written in 1833 as part of the Violoncell School op. 126. For the edition, Tobias Bonz divided the material into two booklets: The 24 scales through two octaves in booklet 1 brie...
The 40 exercises were written in 1833 as part of the Violoncell School op. 126. For the edition, Tobias Bonz divided the material into two booklets: The 24 scales through two octaves in booklet 1 brie...
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I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)
I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)
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