Breitkopf & Hartel Urtext

[Ob, Orch] 20' - (Wiese, Henrik)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

Breitkopf Urtext - Co-production with the G. Henle publishing house

Breitkopf Urtext - Co-production with the G. Henle publishing house

For the first time clearly the 'version last hand

For the first time clearly the 'version last hand

Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...

Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...