Breitkopf & Hartel Urtext
Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...
Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...
- Soloists, Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
- Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...
The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...
- Solos, Mixed choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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Soli,GCh,Orch 20'
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.
Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
- Soloist, Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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Mozarts Flötenkonzert KV 314 (285d) ist vermutlich auf der Grundlage des Oboenkonzerts KV 314 (271k) entstanden. Den entscheidenden Anstoss für die Bearbeitung erhielt Mozart 1778 wohl durch einen Auf...
Mozarts Flötenkonzert KV 314 (285d) ist vermutlich auf der Grundlage des Oboenkonzerts KV 314 (271k) entstanden. Den entscheidenden Anstoss für die Bearbeitung erhielt Mozart 1778 wohl durch einen Auf...
- Flute and Piano
- Piano reduction with part(s) (Urtext)
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Orchestermaterial nach der neuen Beethoven-Gesamtausgabe des G. Henle Verlags. Alle Dirigierpartituren und Orchesterstimmen sowie die Klavierauszüge und Chorpartituren sind exklusiv über Breitkopf & H...
Orchestermaterial nach der neuen Beethoven-Gesamtausgabe des G. Henle Verlags. Alle Dirigierpartituren und Orchesterstimmen sowie die Klavierauszüge und Chorpartituren sind exklusiv über Breitkopf & H...
- Mixed Choir (SATB) and 2 Pianos
- Piano reduction with part(s) (Urtext)
- Jan Philip Schulze
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Ausgabe für Violoncello und Klavier vom Herausgeber
Ausgabe für Violoncello und Klavier vom Herausgeber
- Cello, Strings and Continuo
- Piano reduction with part(s) (Urtext)
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The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
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Zum Schumann-Jahr: alle Kammermusik-Werke revidiert Ein kontinuierlich verfolgtes Revisionsprojekt trägt Früchte. Zum Schumann-Jahr 2006 revidierte Joachim Draheim auch 'Adagio und Allegro op. 70', ei...
Zum Schumann-Jahr: alle Kammermusik-Werke revidiert Ein kontinuierlich verfolgtes Revisionsprojekt trägt Früchte. Zum Schumann-Jahr 2006 revidierte Joachim Draheim auch 'Adagio und Allegro op. 70', ei...
- Horn and Piano
- Piano Score and Part(s) (Urtext)
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Robert Schumanns 'Phantasiestücke' op. 73 entstammen dem Jahr 1849. Sie wurden bereits zu Lebzeiten des Komponisten rasch populär. Durch die Urtext-Neuausgabe von Joachim Draheim ist das letzte bedeut...
Robert Schumanns 'Phantasiestücke' op. 73 entstammen dem Jahr 1849. Sie wurden bereits zu Lebzeiten des Komponisten rasch populär. Durch die Urtext-Neuausgabe von Joachim Draheim ist das letzte bedeut...
- Clarinet in A and Piano
- Piano Score and Part(s) (Urtext)
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Mozart is believed to have written an oboe concerto for the Salzburg virtuoso Giuseppe Ferlendis in 1777. The work was considered lost until 1920, when Bernhard Paumgartner discovered a copy of the pa...
Mozart is believed to have written an oboe concerto for the Salzburg virtuoso Giuseppe Ferlendis in 1777. The work was considered lost until 1920, when Bernhard Paumgartner discovered a copy of the pa...
- Oboe and Piano
- Piano reduction with part(s) (Urtext)
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The story of Alphonse Daudet's drama L'Arlésienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had...
The story of Alphonse Daudet's drama L'Arlésienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had...
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- Instrumental Part: Cello and Double Bass (Urtext)
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The story of Alphonse Daudet's drama L'Arlésienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had...
The story of Alphonse Daudet's drama L'Arlésienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had...
- Orchestra
- Instrumental Parts: Harpsichord and Piano (Urtext)
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In cooperation with Edition Eulenburg Famous evil broom One of the most important works of program music: 'Scherzo after a ballad by Goethe' is what the 32-year-old Dukas called his best-known orchest...
In cooperation with Edition Eulenburg Famous evil broom One of the most important works of program music: 'Scherzo after a ballad by Goethe' is what the 32-year-old Dukas called his best-known orchest...
- Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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Breitkopf Urtext - Co-production with Henle-Verlag
Breitkopf Urtext - Co-production with Henle-Verlag
- Flute and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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Breitkopf Urtext - Co-production with Henle-Verlag
Breitkopf Urtext - Co-production with Henle-Verlag
- Violin, Viola and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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Breitkopf Urtext - Co-production with Henle-Verlag
Breitkopf Urtext - Co-production with Henle-Verlag
- Bassoon and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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In cooperation with the G. Henle Verlag See also Ferruccio Busoni cadenzas to W. A. Mozart's piano concertos
In cooperation with the G. Henle Verlag See also Ferruccio Busoni cadenzas to W. A. Mozart's piano concertos
- Piano and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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One of the most frequently performed solo concertos, whose composition coincides with the work on the opera Le nozze di Figaro.The sources for K. 488 are quite clear. The score autograph has survived,...
One of the most frequently performed solo concertos, whose composition coincides with the work on the opera Le nozze di Figaro.The sources for K. 488 are quite clear. The score autograph has survived,...
- Piano and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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In cooperation with the G. Henle Verlag Original cadenzas in EB 5940 Busoni cadenza in EB 8577
In cooperation with the G. Henle Verlag Original cadenzas in EB 5940 Busoni cadenza in EB 8577
- Piano and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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The audition concerto in Urtext - in cooperation with G. Henle publishing house. Versions in D and C major
The audition concerto in Urtext - in cooperation with G. Henle publishing house. Versions in D and C major
- Double Bass, Violin and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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Like Joseph Haydn's Concerto in E-flat Major Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E Major was composed in 1803 for the Viennese soloist Anton Weidinger, who had at his disposal on his keyed...
Like Joseph Haydn's Concerto in E-flat Major Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E Major was composed in 1803 for the Viennese soloist Anton Weidinger, who had at his disposal on his keyed...
- Trumpet and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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