Choral Sheet Music

In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...

In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...

At the age of 15, on New Year’s Day 1855, Rheinberger composed the Graduale Cantate Domino laeta, pueri, cantica JWV 32. He chose a text of which only one other setting – by Michael Haydn – is known....

Rheinberger’s first mass setting for choir a cappella, the Mass in E flat major JWV 57, exists in two different versions: the first version of 1856 and the revised version of 1858/59. The present edit...

A motet for the 1st Advent, which Rheinberger composed in September 1856 during a vacation in his home town of Vaduz in September 1856. Separate edition from: Supplementary Volume 4 of the Rheinberger...

The Marian hymn Omni die dic Maria WoO 30 is a late work by Rheinberger, which he set to music for a commissioned collection of Marian hymns. The hymn by Bernard von Morlas (1075–1140) is still includ...

Rheinberger's harmonically and melodically beautiful setting of the Marian antiphon Salve Regina from 1873 fell into oblivion and first appeared in print in the supplementary volume 4 of the Rheinberg...

A gradual setting based on Psalm 76 for Quinquagesima, the Sunday before Ash Wednesday, also known as Shrove Sunday. However, the text is also suitable for many other occasions. Separate edition from:...

Rheinberger composed two short antiphons for the pilgrimage site of Loreto in Italy in 1893, which can generally be sung on Marian feasts. Separate edition from: Supplementary Volume 4 of the Rheinber...

The 6-part chorale setting on the introit of the Mass for the Dead was composed during Rheinberger's teaching activities at the Royal School of Music in Munich. Together with his composition students,...

The Benedictus and the Agnus Dei are part of the first version of Rheinberger’s first mass setting for choir a cappella, the Mass in E flat JWV 57. The Mass exists in two different versions: the first...

Neben seinem Schaffen als Opernkomponist, widmete sich Salieri auch der Kirchenmusik, die fast ausschliesslich für die kaiserliche Hofkapelle bestimmt war. Die 1767 entstandene 'Misso Stylo a cappella...

Duruflé's final composition Notre père for SATB a cappella chorus, composed in 1977 and beloved by choruses around the world, appears in a fresh new edition, with a new music engraving, historical int...

Christmas choral music for small ensembles - from the work of Berlin church musician Beate Leibe. The title part "Freuet Euch" can be confidently transferred to the singers. Because sung with verve an...

A not too difficult, but very effective work.

This is a single edition from the anthology "Praxis Chorleitung" (E.D. 20310) in identical layout, but without the didactic markings. The work: Text: Psalm 150, 1, 2, 3, 5b, 6