Church Music for Chamber Orchestra

Chamber Orchestra (13+players) Fl. Ob, Horn, 2-Bb Tpt.,+ hp. + timp + 1 perc. + Str.

Chamber Orchestra (13+players) Fl. Ob, Horn, 2-Bb Tpt.,+ hp. + timp + 1 perc. + Str.

Chamber Orch: Flute, Oboe, Horn in F, Bb Tpt., Timp. Perc. (Cymbal and Glock) Harp, Piano (opt.) and Strings

Chamber Orch: Flute, Oboe, Horn in F, Bb Tpt., Timp. Perc. (Cymbal and Glock) Harp, Piano (opt.) and Strings

Score for Chamber Orch and Organ and Winds version - Organ + Winds (5 players + Org.): Flute, Oboe, Fr. Horn, 2 - Bb Tpts., and Org. (opt. Timp/Perc) - Organ plays a separate part and replaces the str...

Parts for Chamber Orch. and Organ and Winds version - Organ + Winds (5 players + Org.): Flute, Oboe, Fr. Horn, 2 - Bb Tpts., and Org. (opt. Timp/Perc) - Organ plays a separate part and replaces the st...

While Joseph Gabriel Rheinberger composed a significant number of works for worship, his MASS IN C MAJOR, Op. 169 for soloists, mixed chorus and orchestra is the only mass to include orchestral accomp...

Gioachino Rossini (1792-1868) began work on his version of the traditional hymn, Stabat Mater, in 1831 at the request of one Fernández Varela. As ill health kept Rossini from completing the commission...

This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled &q...

This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled "Mass." Comp...

The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...

Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...

KOMM, SÜSSER TOD (Come, Sweet Death) was originally written for solo voice and basso continuo as part of the 69 SACRED SONGS AND ARIAS that J. S. Bach contributed to MUSICALISCHES GESANGBUCH by Georg...

For solo (T), mixed choir and chamber orchestra, in Latin. Premiered December 3rd, 2000 in New York by the New York Latvian Concert Choir, The Brooklyn Chamber Orchestra, Conductor Andrejs Jansons; in...

Gabriel Fauré's Requiem, Op. 48, is celebrated as one of the most moving and serene masterpieces in the sacred choral repertoire. The renowned 1893 version highlights the composer's original chamber i...

for soprano and baritone soloists, SATB chorus, and the composer's original chamber instrumentation Orchestral and vocal material is available on hire. Organ plays from the vocal score.

This is one of the composer's few mature works which does not include vocal soloists, making it an ideal concert opener. It is an attractive and accessible work, the vocal lines are not overdemanding,...

The text, based on an old Irish legend, tells the stories and dreams of three trees in musical images. The first becomes a manger, the second a fishing boat, the third a cross. With chorales, this can...

The text, based on an old Irish legend, tells the stories and dreams of three trees in musical images. The first becomes a manger, the second a fishing boat, the third a cross. With chorales, this can...