Classical Music (Baroque) Sheet Music for 2 Flutes and Continuo

Geistliches Konzert - Tonart G-Mixolydisch

Geistliches Konzert - Tonart G-Mixolydisch

Geistliches Konzert - Tonart G-Mixolydisch

Geistliches Konzert - Tonart G-Mixolydisch

Geistliches Konzert - Tonart G-Mixolydisch

Geistliches Konzert - Tonart G-Mixolydisch

Geistliches Konzert - Tonart G-Mixolydisch

Geistliches Konzert - Tonart G-Mixolydisch

Geistliches Konzert - Tonart G-Mixolydisch

The opera Cleofide by Johann Adolf Hasse was part of an ambitious plan to revive the art of Italian opera at the Saxon court. The dramatic plot – about Alexander the Great’s conquests in India – is br...

The opera Cleofide by Johann Adolf Hasse was part of an ambitious plan to revive the art of Italian opera at the Saxon court. The dramatic plot – about Alexander the Great’s conquests in India – is br...

The opera Cleofide by Johann Adolf Hasse was part of an ambitious plan to revive the art of Italian opera at the Saxon court. The dramatic plot – about Alexander the Great’s conquests in India – is br...

Soli SATB, Coro SATB, 2 Fl, Ob I/Obda, Ob II, Vl solo, 2 Vl, Va, Bc

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...