Classical Music (Baroque) Sheet Music for 2 Flutes and Continuo

Concerto IX. Woodcock's only surviving musical compositions are a set of twelve concertos (3 for flute, 3 for recorder, and 3 for oboe) published by Walsh and Hare in London circa 1727. The concertos...

Concerto IX. Woodcock's only surviving musical compositions are a set of twelve concertos (3 for flute, 3 for recorder, and 3 for oboe) published by Walsh and Hare in London circa 1727. The concertos...

One of the most beautiful baroque works for Christmas, expressive music, but without major technical difficulties! Universal music, which will not fail to make an impact in church or concert hall, in...

In addition to the Mass in B minor, Bach is known to have composed four other, smaller masses, the so-called Lutheran or Kyrie Gloria masses. Despite their high musical qualities, they are often overs...

The opera Cleofide by Johann Adolf Hasse was part of an ambitious plan to revive the art of Italian opera at the Saxon court. The dramatic plot - about Alexander the Great’s conquests in India - is br...

The opera Cleofide by Johann Adolf Hasse was part of an ambitious plan to revive the art of Italian opera at the Saxon court. The dramatic plot – about Alexander the Great’s conquests in India – is br...

In his roles as Kapellmeister at Notre-Dame Cathedral in Paris and in the royal chapel of Louis XV, André Campra composed numerous grand motets, which often show stylistic influences from contemporary...

The six-movement cantata is based on the song of the same name by Ahasverus Fritsch, which was first recorded in the Darmstadt songbook in 1698. It is therefore one of the choral cantatas that use a h...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

The six-movement cantata BWV 164 was first performed in Leipzig on August 26, 1725. The text was written by Bach's Weimar cantata composer Salomon Franck and appeared in his collection "Evangelisches...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The text of the cantata "Nun danket alle Gott" BWV 192 is based solely on the well-known hymn. It is therefore one of the few choral cantatas that do not contain any other free poetic texts. According...

As neither original sources nor documents relating to the first performance of the present funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 have survived, we cannot prove the year of compos...

The festive composition with its large orchestration for the time was performed for the first time on June 29, 1751 on the occasion of the consecration of the new Catholic Court Church in Dresden.

Experience festive splendor and Baroque passion with Johann Sebastian Bach's Pentecost cantata "O ewiges Feuer, o Ursprung der Liebe" (O light everlasting, O love divine) BWV 34. This stirring work wa...

Date of composition of the wedding cantata on which this work is based (BWV 34a) 1726, the parody in the first half of the 1740s

Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...

Johann Sebastian Bach's "Magnificat" BWV 243 was composed in its first form in E flat at the very beginning of Bach's Leipzig tenure, possibly for the Visitation of Mary on July 2, 1723. A performance...