Classical Music (Baroque) Sheet Music for Choir

Tuneful legato lines, an original text featuring both Latin and English words, and music from master composer J. S. Bach combine to form a lovely piece for treble choirs. Contrasting melodies pair at...

This very joyous Alleluia from Telemann's Laudate Jehovam, omnes gentes in a 2-part arrangement makes an excellent feature for treble chorus. Opt. two flutes. Available for 2-Part and VoiceTrax CD. Pe...

The opera "Dido and Aeneas", a retelling of the well-known story from Book IV of Virgil's Aeneid, has established itself as an audience favorite. It owes this to the skill of its composer Henry Purcel...

Agostino Steffani's “Henrico Leone” is a work that stands out in the history of opera at the end of the 17th century due to the confluence of very different factors. The world premiere marked the inau...

Actually, "Les Boréades" was supposed to be performed in 1763 at the Théâtre de Choisy in Paris after the end of the Seven Years' War on the occasion of the celebrations of the peace treaty. But after...

Nach 'Hippolyte et Aricie' und 'Castor et Pollux' ist 'Dardanus' Rameaus dritte Tragédie lyrique für Paris. Mit ihrer vielgestaltigen Musik ist sie ein absoluter Höhepunkt dieser Gattung. Die Handlung...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...

Piano reduction with German/English text - Passio secundum Johannem. Soprano solo, alto solo, tenor solo (2), bass solo (2), mixed choir-SATB, orchestra > This edition replaces the previous piano redu...

Urtext of the New Bach Edition. (score = BA5001-01). Soprano solo (2), Asolo, Tenor solo, Bass solo, Mixed choir-SSAATTBB, Orchestra, Basso continuo - Piano reduction

BA 5103-90 replaces the previous vocal score. The article number remains unchanged. > The text appears in slightly larger type size and a clearly legible font. > The pagination has been adopted from t...

Violence, hunger and epidemic diseases made death omnipresent at the time of the Thirty Years' War. For every Christian, especially in times of crisis, preparing for their own earthly end was an integ...

The edition of the Mass in B minor as part of the New Bach Edition was and is the standard for generations of musicians. The first volume of the revised new edition now presented by Uwe Wolf offers mu...

Transponierte Fassung, Originalfassung: Carus 21.009/00

In the late 17th century, English musicians celebrated St. Cecilia as the patron saint of music with special concerts and church services every year on November 22. Handel revived the tradition of the...

The two poems by John Milton L'Allegro (Cheerfulness) and Il Pensieroso (Melancholy) describe the contrasts between these two moods. Charles Jennens used them to create a libretto, supplemented by the...

The cantata Wie schön leuchtet der Morgenstern BWV 1 has become somewhat famous: With it, Bach's ambitious project of a choral cantata year came to an abrupt end on March 25, 1725 after around nine mo...

Bach composed "Ach Gott, vom Himmel sieh darein" BWV 2 for the 2nd Sunday after Trinity in 1724 as the second cantata of the choral cantata year. It is based on Martin Luther's rewriting of the 12th P...

Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

The cantata Christ unser Herr zum Jordan kam BWV 7 for St. John's Day (24.6.) 1724 is the third cantata of the choral cantata year begun on the 1st Sunday after Trinity (11.6.1724). It is based on Mar...

The cantata Liebster Gott, wenn wird ich sterben belongs in its original form BWV 8.1 to Bach's choral cantata cycle of 1724/25 and was first performed on the 16th Sunday after Trinity (September 24,...

Kantate für den 6. Sonntag nach Trinitatis. Soli SATB, Coro SATB, Fl, Obda, 2 Vl, Va, Bc.

Bach created a special kind of choral cantata for the Feast of the Visitation (July 2, 1724): It is not based on a Protestant hymn, but on a Gregorian chorale (9th psalm tone). The German Magnificat -...