Classical Music (Baroque) Sheet Music for Choir

The CHANDOS ANTHEMS, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...

Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...

Erste Urtextausgabe dieser brillanten und klangvollen Musik; auch für Laienchöre und -orchester aufführbar (Vorwort mit Anmerkungen des Hrsg. zu den Quellen) - 68 Seiten. Besetzung: Gem. Chor, Streich...

Missa Brevis (202.Orgel.5-stimmiger Chor).

Hallische Händel-Ausgabe. Serie I, Band 9.2 Besetzung: Sopran solo (3), Alt solo (3), Tenor solo, Bass solo, Gemischter Chor: SATTB, 1. Flauti (Piccolo-Flöte, 1. Blockflöte, Flöte) 2. Flauti (Piccolo-...

The Serenata in tre parti Parnasso in festa was first performed on the occasion of the wedding between Princess Anne and Prince William IV of Orange in March 1734. The music is largely based on the En...

Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series 'Opera omnia R...

The Carus program on Dresden court music continues with the first edition of one of the great masses (No. 9, D major) by Johann David Heinichen, the most important musical representative of the Saxon...

Orchestration: 2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon (or 3rd clarinet) Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass) Keyboard Continuo for Chorale only:- Choir (SATB) [optional] Th...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

This wonderful, short choral masterpiece has a confusing heritage. Spuriously attributed in 1910 to Giovanni Battista Pergolesi (1710-1736), the six-movement MAGNIFICAT was actually composed by France...

Antonio Vivaldi (1678-1741) likely composed three settings of the hymn Gloria in excelsis Deo, though only two have survived. It was common for Vivaldi to write introductory motets to be performed bef...

This wonderful, short choral masterpiece has a confusing heritage. Spuriously attributed in 1910 to Giovanni Battista Pergolesi (1710-1736), the six-movement MAGNIFICAT was actually composed by France...

This wonderful, short choral masterpiece has a confusing heritage. Spuriously attributed in 1910 to Giovanni Battista Pergolesi (1710-1736), the six-movement MAGNIFICAT was actually composed by France...