Classical Music (Baroque) Sheet Music for Mixed Choir (SATB), 2 Violins and Continuo

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

La Weihnachts-Historie SWV 435 de Heinrich Schütz s'inscrit dans la tradition des mises en musique de l'histoire de la nativité qui, contrairement aux oratorios postérieurs, se limitent en grande part...

Scheinpflug's compositions are unlikely to have received much notice beyond Rudolstadt itself. While still wholly orientated towards the Baroque cantata in formal terms, the music departs from the str...

Soli ST, Coro SATB, Fl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc

Soli ST, Coro SATB, Fl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc

Soli ST, Coro SATB, Fl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc

The opening chorus of the cantata 'Schauet doch und sehet' (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became th...

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second...

Scheinpflug's compositions are unlikely to have received much notice beyond Rudolstadt itself. While still wholly orientated towards the Baroque cantata in formal terms, the music departs from the str...

Scheinpflug's compositions are unlikely to have received much notice beyond Rudolstadt itself. While still wholly orientated towards the Baroque cantata in formal terms, the music departs from the str...

The cantata 'Eternity, O awesome word' BWV 60, which belongs to Bachs first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bachs few dialog cantatas. It deals...

The cantata 'Eternity, O awesome word' BWV 60, which belongs to Bachs first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bachs few dialog cantatas. It deals...

Die Kantate 'Ein hoher Tag kömmt' zum ersten Weihnachtstag lässt sich wie die meisten Kantaten von Homilius nicht genau datieren, ist aber sicher seiner Zeit als Dresdner Kreuzkantor (1755-1785) zuzuo...

reconstructed version (2001) This edition is a revised edition of the St. Mark Passion of 1723, published in 1964 by Diethard Hellmann and reconstructed according to parody models, with a new preface...

reconstructed version (2001) This edition is a revised edition of the St. Mark Passion of 1723, published in 1964 by Diethard Hellmann and reconstructed according to parody models, with a new preface...

reconstructed version (2001) This edition is a revised edition of the St. Mark Passion of 1723, published in 1964 by Diethard Hellmann and reconstructed according to parody models, with a new preface...

reconstructed version (2001) This edition is a revised edition of the St. Mark Passion of 1723, published in 1964 by Diethard Hellmann and reconstructed according to parody models, with a new preface...

reconstructed version (2001) This edition is a revised edition of the St. Mark Passion of 1723, published in 1964 by Diethard Hellmann and reconstructed according to parody models, with a new preface...

reconstructed version (2001) This edition is a revised edition of the St. Mark Passion of 1723, published in 1964 by Diethard Hellmann and reconstructed according to parody models, with a new preface...

reconstructed version (2001) This edition is a revised edition of the St. Mark Passion of 1723, published in 1964 by Diethard Hellmann and reconstructed according to parody models, with a new preface...